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Laatste update: woensdag 23 maart 2016

Hieronder de LONGLIST voor de GGGG-benefieten van zaterdag 14 mei 2016.

Zeker nog niet drukken, nog onderhevig aan meerdere wijzigingen.

Unter der Laterne

15-de Benefietweekend van de GGGG
Zaterdag 14 Mei 2016

Podiumzaal Sint-Jan Berchmanscollege, Mol
J. Smitslaan 36

2 VOORSTELLINGEN
-14.00 uur, Deuren om 13.00 uur
-19.00 uur, Deuren om 18.00 uur

Samenwerking: Sociaal Fonds SJB, Gym Mol en TAMUSEMENT v.z.w.
Info bij GGGG, p.a. Frans Vanuytven (frans.vanuytven@telenet.be), 014/314036
BUNDEL MET DE MOGELIJKE LIEDJES

MUZIKALE MEDEWERKERS

Algemene Leiding: Frans Vanuytven

ORKEST BOM                                                      ZANG & BACKINGS
Drums: Paul Janssen                                             Hans Geukens
Accordeon1: Aline Debie                                    Stijn Mertens
Accordeon2: Lena Van Genechten                           Bas Van Olmen
Accordeon3: Hanne De Boeck                                    Emma de Bakker
Electrische Gitaar: Gert Motmans                           Elien Cuypers
Piano: Gunter Van Olmen                                    Kaat Swinnen
Basgitaar: Jeroen Van Olmen                                    Sanne Boyen

OPMERKING: van alle liedjes met klem bestaat er ook een versie zonder de klem, te verkrijgen op eenvoudig verzoek

NIET-BASIS-AKKOORDEN

Alle speciale akkoorden (niet-basis-akkoorden) staan hieronder, te lezen van de dikste naar de dunste snaar

Alle Majeur- en Mineur-akkoorden: zie DROPBOX (best afdrukken)
- 48 Mogelijkheden met E
- 60 Mogelijkheden met A

B°=D°=F°=G#°=Ab° xx0101 of xx3434 of ...
C#°=Db°=E°=G°=A#°=Bb° x12020 of xx2323 of xx5656 of ...
C°=D#°=Eb°=F#°=Gb°=A° xx1212 of xx4545 of ...

Am6 (0)02212
C°no7 xxx543
D7sus4 x(0)0213                           Dm7-5 x(0)0111                           Dsus4 x(0)0233
E7sus4 020200                           Em6 022020                           Esus4 022200
G+ 321003                                    G13 doe maar 000000

Procol Harum - A Whiter Shade Of Pale
door Emma de Bakker en Kaat Swinnen

INTRO                  C                  Am                  F                  Dm
                           G                  Em  G         C   F                  G         Fr    Gr

1. [C] We skipped the light fan - [Am] dango,
[F] turned cartwheels 'cross the [Dm] floor,
[G] I was feeling kind of [Em   G] seasick
[C] but the crowd called out for [Am   Em] more.
[F] The room was humming [Dm] harder
[G] as the ceiling flew [Em   G] away,
[C] when we called out for [Am   Em] another drink
[F] the waiter brought a [Dm7         (xxx) G13)] tray.

INTERLUDE                  C                  Am                  F                  Dm
                                    G                  Em  G         C   F                  G         Fr    Gr

2. [C] She said there is no [Am] reason
[F] and the truth is plain to [Dm] see,
[G] but I wandered through my [Em   G] playing cards
[C] and would not let her [Am   Em] be
[F] One of sixteen vestal [Dm] virgins
[G] who were leaving for the [Em   G] coast
[C] and although my eyes were [Am   Em] open,
[F] they might just as well been [Dm7   (xxx) G13] closed

OUTRO1 (REPEAT?)
C                  Am                  F                  Dm
G                  Em  G         C           F                  G         Fr           Gr

OUTRO2                  C Ring On Cue

Bata Illic - Michaela in G
door Stijn Mertens, dit is een halve toon lager dan het origineel

INTRO         XX         [G   D]         [G]

1. [G] Dunkel war die Nacht ein Vogel sang
[G   D] und ich ging allein am Fluß entlang.
[D] Da sah ich Dich dort ma Ufer stehn
[A   D] und Du gingst mit mir es war so schön.

2. [G] Ich brauche keine Schätze dieser Welt
[G   D] weil für mich nur Deine Liebe zählt
[D] und ich sag Dir daß ich glücklich bin
[A   D] seit Du kamst da hat mein Leben Sinn.

Beatles - I Want To Hold Your Hand in G

door Emma de Bakker en Sanne Boyen

INTRO1 in RING         X X xC C         *D         x2
INTRO2                           X X xC C         [*DD DD DD DD]         [DD DD DD DD]

1. Oh, [G] yeah, I'll tell you [D] something, [Em] I think you'll under - [Bm] stand,
1b. When [G] I say that [D] something, [Em] I want to hold your [Bm] hand!
1c. [C  D] I want to hold your [G  Em] hand! [C  D] I want to hold your [G] hand!

2a. Oh, [G] please, say to [D] me, [Em] you'll let me be your [Bm] man,
2b. And [G] please, say to [D] me, [Em] you'll let me hold your [Bm] hand.
2c. [C  D] Now let me hold your [G  Em] hand! [C  D] I want to hold your [G] hand!

3a. Yeah, [G] you got that [D] something, [Em] I think you'll under - [Bm] stand.
3b. When [G] I say that [D] something, [Em] I want to hold your [Bm] hand!
3c. [C  D] Now let me hold your [G  Em] hand![C  D] I want to hold your [G] hand!

4a. Yeah, [G] you got that [D] something, [Em] I think you'll under - [Bm] stand.
4b. When [G] I say that [D] something, [Em] I want to hold your [Bm] hand!

4d!! [C  D] I want to hold your [G  Em] hand!
[C  D] I want to hold your [B7] hand!
[C   D] I want to hold your [6/4            C RrrRrr] hand [G r ON CUE]!

Berlin - Take My Breath Away (G#=)GI
door Emma de Bakker halve toon lager zetten??

INTRO KI                  XxXx                  [G]         [Bm/F#]         [Em]         [Bm/F#]

1. [G] Watching every motion, [Bm/F#] in my foolish lover's [Em] game [Bm/F#];
[G] on this endless ocean, [Bm/F#] finally lovers know no [Em] shame [Bm/F#].
[Am] Turning and returning [C/G] to some secret place in - [D] side [D];
[G] watching in slow motion [Bm/F#] as you turn around and [C] say [D]:

2. [G] Watching, I keep waiting, [Bm/F#] still anticipating [Em] love [Bm/F#],
[G] never hesitating [Bm/F#] to become the fated [Em] ones [Bm/F#].
[Am] Turning and returning, [C/G] to some secret place to [D] hide [D],
[G] watching in slow motion [Bm/F#] as you turn my way and [C] say [D]:

BRIDGE
[A] Through the hourglass I [D/F#] saw you. In [C]  time you slipped a - [G] way.
[A] When the mirror crashed I [D/F#] called you and [C] turned to hear you [G] say:
"If only for to - [A] day [A], I am una - [D] fraid" [D >>=KIV].

KIV                  G         Bm/F#         Em                  Bm/F#         x2
3. [K0         B] Watching every motion [D#m/A#]
in this foolish lover's [G#m] game [D#m/A#];
[K0         B] haunted by the notion [D#m/A#] somewhere
there's a love in [G#m] flames [D#m/A#].
KIV                  Am         C/G                  D         D                  G         Bm/F#         C         D
[C#m] Turning and returning [E/B] to some secret place in - [F#] side [F#];
[B] watching in slow motion [D#m/A#] as you turn to me and [E] say [F#]:

Dana Winner - Ver Weg Van Eden (E=)DII
door Sanne Boyen

INTRO1                   D, then Start On Cue
INTRO2                  D         D         D         D
INTRO3                  D         G         A         x4

D         G         A         x3                  Bm         G         A                  D         G         A
1. Wanneer een kind niet meer lacht als een kind, dan zijn wij ver weg van Eden; wanneer de aarde niet méér voor ons is dan zo maar een planeet,
dan hebben wij tevergeefs geleefd.

D         G         A         x3                  Bm         G         A                  D         G         A
2. Wanneer een traan ongetroost vloeien kan, dan zijn wij ver weg van Eden; wanneer men liefde betalen moet en alleen geld tederheid geeft,
dan hebben wij tevergeefs geleefd.

INTERLUDE                  D         G         A

D         G         x2                  F#m                  Bm         Em         G         Em         A         D         G         A
3. Laat het leven elke dag als nieuw ontstaan en als het even kan in alle eerlijkheid bestaan. Wanneer niets ons meer verbinden kan, dan is het einde zo goed als nabij.

D         G         A         x3                  Bm         G         A                  D         G         A
4. Wanneer geloof niet langer bergen verzet, dan zijn wij ver weg van Eden,
wanneer de hoop alleen een horizont is die men toch nooit bereikt,
dan hebben wij tevergeefs geleefd.

TO KEY CHANGE
D         G         x2                  F#m                  Bm         Em         G         Em         A         D         G         A
5. Ik wil met jou samen in dit leven staan, met jou samen bruggen tussen mensen slaan, en de dag dat ik zelf heen moet gaan dan weet ik ja, ik heb mijn deel gedaan.

INTERLUDE (KEY CHANGE)
K0                           F         Bb         C         (F=DIII)

KIII                  D         G         A         x3                  Bm         G         A
6. Wanneer een kind niet meer lacht als een kind, dan zijn wij ver weg van Eden, wanneer de aarde niet méér voor ons is dan zo maar een planeet,

OUTRO KIII                  D         Bm                  G         A                  x2         D         D Ring
dan hebben wij tevergeefs geleefd, dan hebben wij tevergeefs geleefd,
dan hebben wij tevergeefs geleefd.

Denny Christian - Rosamunde (C=)GV
door Bas Van Olmen

INTRO         XxX                  XxX                  G         G

1. Ich [G] bin schon seit Tagen ver - [G   D] liebt in Rosamunde.
Ich [D] denke jede Stunde sie [D   G] muß es erfahren.
[G] Seh‘ ich ihre Lippen [G   D] mit dem frohen Lachen.
[D] Möcht ich alles machen [D   G] um sie mal zu küssen.

2. Sie [G] läßt mich noch warten und [G   D] lächelt nur von Ferne
Ich [D] wußte nur zu gerne wie [D   G] andere es machten
Ver - [G] borgen als Veilchen [G   D] blieb' ich in ihrer Nähe
[D] Doch wenn ich sie sehe [D   G] wart ich noch ein Weilchen.

Dj Ötzi - Anton Aus Tirol

INTRO         G         Em         Bm         C   D
SIRENE         Anton, Anton, Anton, Anton, Anton, Anton, Anton, Anton , ...

D         D         A         A                  G         A         D         D
1. Blaue Pille, Sellereie, des braucht so oan Anton nie.
Koa Tatoo und koane Schmäh, a koa Piercing und koa Juchee.
Bin ka Softie i bin a Tiger, Girl´s so an Typ wie mi, den gab`s noch nie !

INTERLUDIUM                  G         Em         Bm         C   D                  x2
SIRENE                  Anton, Anton, Anton, Anton, Anton, Anton, Anton, Anton , ...
 
D         D         A         A                  G         A         D         1.         D         2.         A
Abends dann im Disco-Stadel, zoag i mi mit 15 Madeln.
Denn gewinnen kann nur ich. Oalls so schöen woar i noch nie.
Lass alle Buam im Regen steh´n, koaner ist so urig schöm.
Ah, bin i Schön, (Ahhhh, is der schön.)
(Starker Buar von dir Krieg i net genur,
kumm her und mach`s mit mir, du mein Tiroler Stier)

to OUTRO                  G         Em         Bm         C   D                  x2
SIRENE                  Anton, Anton, Anton, Anton, Anton, Anton, Anton, Anton , ...

ENDING RAFO                  A         A         A         E                  E         D         A   E                  A
La La la, la la la la, la la  la la la la la la, ...

Falco - Jeanny; Bas Van Olmen & The Ladies

Am         Em7           x2                  F         C         Dm         Esus4            E         :/x4/                  E         E
1. Jeanny, komm, come on, steh auf, bitte, du wirst ganz nass. Schon spät, komm, wir müssen weg hier, raus aus dem Wald, verstehst du nicht? Wo ist dein Schuh, du hast ihn verloren, als ich dir den Weg zeigen musste. Wer hat verloren? Du dich, ich mich, oder, oder wir uns?

INTERLUDE         Am         Em7                  Am         Em7

Am         Em7            x2                  F         C         Dm         Esus4            E         :/x2/                  E         E
2a. Es ist kalt, wir müssen weg von hier, komm! Dein Lippenstift ist verwischt. Du hast ihn gekauft und ich habe es gesehen. Zuviel Rot auf deinen Lippen und du hast gesagt: "Mach mich nicht an!"
2b. Aber du warst durchschaut, Augen sagen mehr als Worte. Du brauchst mich doch, mmm? Alle wissen dass wir zusammen sind ab heute. Jetzt hör ich sie, sie kommen, sie kommen, dich zu holen! Sie werden dich nicht finden, niemand wird dich finden! Du bist bei mir!

Am         Em7            x2                  F         C         Dm         Esus4            E
1.         E
2.         E Kill                  NC, then START ON CUE
3. Newsflash: In den letzten Monaten ist die Zahl der vermissten Personen dramatisch angestiegen. Die jüngste Veröffentlichung der lokalen Polizeibehörde berichtet von einem weiteren tragischen Fall. Es handelt sich um ein neunzehnjähriges Mädchen das zuletzt vor 14 Tagen gesehen wurde. Die Polizei schliesst die Möglichkeit nicht aus dass es sich hier um ein Verbrechen handelt.

INTERLUDE         Am         Em7            x2                  F         C         Dm         Esus4  E

Freddy Breck - Überall Auf Der Welt in D, c2

door Bas Van Olmen, 3 halve tonen lager dan origineel

INTRO1         Dm rr         Dm r                  Bb rr                  Bb r                  G#° rr         G#° r
INTRO2         D rr                  D rr                  A rr                  A rr                  GP
INTRO3         START BEAT O.C.                  D         D

1. Über - [D] all auf der [D] Welt scheint die [A7] Sonne [A7]
und das [D] Leben er - [Gr   Emr] wacht von ihren [A] Strahlen [A].
Über - [D] all suchen [D] Menschen die [A7] Liebe [A7]
und sie [Dr   Gr] glauben und hoffen für [Dr   Ar] sich und für die [D] Welt [D].

2. Jede [D] Nacht gehen [D] Träume ver - [A7] loren [A7].
Jeden [D] Tag werden [Gr   Emr] Wünschen neu ge - [A] boren [A].
Über - [D] all auf der [D] Welt blüh'n die [A7] Rosen [A7]
und die [Dr   Gr] Wunder der Liebe ge - [Dr  Ar] scheh'n Tag für [D] Tag [D].

Und auch [A] Dir und auch [A] mir sind diese [E] Wunderen ge - [A] macht.
Sie ge - [A] scheh'n wenn wir [A] zwei uns be - [E] gegnen [A].
Darum [A] geh' ich den [A] Weg, führt er durch [E] Licht oder [A] Nacht
darum [E] geh' ich den [E] Weg bis zu [A] Dir [A].

Scheint die [A7] Zeit Dir bis [Dm] dahin auch [A] weit [A],
geh nicht [A7] traurig und [Dm] leb durch das [A] Le - [A] ben.

Über - [D] all auf der [D] Welt scheint die [A7] Sonne [A7],
alle [Dr   Gr] Schatten vergeh'n
wenn wir [Dr   Ar] zwei uns wieder - (to OUTRO)

OUTRO
[D] seh'n. Glaube [D] mir, für uns [G   G#°] zwei [A ring] werd die Welt noch
[D] schön, glaube [D] mir, für uns [G   G#°] zwei [A ring] werd die Welt noch
[D] schön [D], so [G   D] schön [Em   A], so
[D] schön [D]          SLOWER ON CUE         [D]         [D Ring].

K3 - 10.000 Luchtballonnen (c2)
door The Ladies

LET OP: 2 bladzijden

INTRO
Em         C         D         A                  G         F         Amr         Gr/B                  Cr         Dr         x2

1. Doe je [G] mee we schrijven [G] samen een [C/G] brief met een [C/G] boodschap er [G] op en [G] geven hem [D/F#] mee met de [Em] luchtballon.
En we [G] vragen de [G] soldaatjes heel [C/G] lief: zet die [C/G] oorlog nu [G] stop, [G] en een gene - [D/F#] raal aan de [Em] horizon
[A Ring] kijkt om - [NC] hoog naar de [C Ring] wondere [D Ring] regenboog.

INTERLUDE1
Em         C         D         A                  G         F         Amr         Gr/B                  Cr         Dr

2. Zijn we [G] allemaal weer [G] boos op el - [C/G] kaar, weet je [C/G] wat ik dan [G] zeg: we [G] knuffelen [*D/F#] driedubbel [Em] dik voortaan.
Ik heb mijn [G] kaartje af en mijn [G] tekening [C/G] klaar en [C/G] stuur ze op [G] weg, en [G] een lief klein [D/F#] meisje hier [Em] ver vandaan
[A Ring] kijkt om - [NC] hoog naar een [C Ring] wondere [D Ring] regenboog.

INTERLUDE2         (Em RING)                  NCx3                  NCx16
Ayee lé lé lé lé (Ayee lé lé lé lé). Ayee lé lé lé (Ayee lé lé lé)         x2

Kraftwerk - The Model T°=126

door Bas Van Olmen

INTRO         [Am]                  [Em]                  x4

1. [Am] She's a model and she's [Em] looking good.                  [Am]                  [Em]
I'd [Am] like to take her home, that's [Em] understood.         [Am]                  [Em]
She [Am] plays hard to get, she smiles from [Em] time to time.[Am]                  [Em]
It [Am] only takes a camera to [Em] change her mind. [Am]                  [Em]

INTERLUDE1
[C]                  [Bm]                  [G]                  [G]
[C]                  [Bm]                  [E]                  [E]

2. She's [Am] going out tonight, loves drinking [Em] just champagne. [Am][Em]
And [Am] she has been checking nearly [Em] all the men. [Am]                  [Em]
She's [Am] playing her game and you can [Em] hear them say: [Am]                  [Em]
"[Am] She is looking good, for beauty [Em] we will pay".[Am]                  [Em]

INTERLUDE2
[C]                  [Bm]                  [G]                  [G]
[C]                  [Bm]                  [E]                  [E]

SOLO (VERSE)                  [Am]                  [Em]                  x8

INTERLUDE3
[C]                  [Bm]                  [G]                  [G]
[C]                  [Bm]                  [E]                  [E]

3. She's [Am] posing for consumer products [Em] now and then. [Am]         [Em]
For [Am] every camera she gives the [Em] best she can. [Am]                  [Em]
I [Am] saw her on the cover of a [Em] magazine. [Am]                  [Em]
Now [Am] she's a big success, I want to [Em] meet her again. [Am]                  [Em]

OUTRO1                  [Am]         [Em]                  x4
OUTRO2                  [Am]         [Em]                  x3
OUTRO3                  [Am RING]

Leonard Cohen - First We Take Manhattan (Bbm=)AmI
door Hans Geukens & The Ladies

INTRO         Am         Em         x3         D   C                  B7         Em

1. They've [Am] sentenced me to twenty years of [Em] boredom
for [Am] trying to change the system from [Em] within.
I'm [Am] coming now, I'm coming to re - [Em] ward them,
[D   C] first we take Manhattan, [B7] than we take Ber - [Em] lin [Em].

2. I'm [Am] guided by a signal in the [Em] heavens,
I'm [Am] guided by this birthmark on my [Em] skin.
I'm [Am] guided by the beauty of our [Em] weapons,
[D   C] first we take Manhattan, [B7] then we take Ber - [Em] lin.

3. Now you [Am] love as a loser but now your [Em] worried that I'd just might win.
You know the [Am] way to stop me but you [Em] don't have the discipline.
How [Am] many nights I've prayed for this to [Em] let my work begin,
[D   C] first we take Manhattan, [B7] then we take Ber - [Em] lin [Em].

4. [Am] I don't like your fashion bussines, [Em] mister,
and [Am] I don't like these drugs if they keep you [Em] thin.
[Am] I don't like what happened to my [Em] sister,
[D   C] first we take Manhattan, [B7] then we take Ber - [Em] lin [Em].

5. And I [Am] thank you for those items you just [Em] send me,
the [Am] monkey and the plywood vio - [Em] lin.
I've [Am] practised every night, now I'm [Em] ready,
[D   C] first we take Manhattan, [B7] then we take Ber - [Em/ED] lin [C   B7].

6. Ah, [Am] remember me, I used to live for [Em] music,
re - [Am] member me, I brought your groceries [Em] in.
Well, it's [Am] fathersday, and everybody's [Em] wounded,
[D   C] first we take Manhattan, [B7] then we take Ber - [OUTRO] lin.

OUTRO                  [Em .... LOS]         x4         Em Ring

Marlene Dietrich - Vera Lynn - Lale Andersen - Lili Marleen
VERSIE NOG TE KIEZEN

Pete Marlene Pete Seeger - Where Have All The Flowers Gone
Waarschijnlijk Dietrich in het Engels door Engels

VERSIE NOG TE KIEZEN

Nancy Sinatra - These Boots Are Made For Walking
door The Ladies

INTRO1         on A         77         66         55         44         33         22         11         0         on E         3
INTRO2         play CHORDS                  E         E

1. [E] You keep saying you've got something for me,
something you call love, but confess.
[A] You've been messin' where you shouldn't have been messin'
and now [E] someone else is gettin' all your best.

2. [E] You keep lying when you oughta be truthin',
and [E] you keep losin' when you oughta not bet.
[A] You keep samin' when you oughta be a-changin'. Now what's
[E] right is right but you ain't been right yet.        

CHORUS2+INTERLUDE

3. [E] You keep playin' where you shouldn't be playin'
and [E] you keep thinkin' that you'll never get burnt, ha!
[A] I just found me a brand new box of matches, yeah, and
[E] what he know you ain't have time to learn.

OUTRO        
on A         77         66         55         44         33         22         11         0         on E         3
then                           play CHORDS                  E         E                  RAFO         E
Are you ready boots? Start walkin'!

Nena - 99 Luftballons (E=)DII
door Kaat Swinnen

https://www.youtube.com/watch?v=9CnDvtwYn6I

INTRO         D  Ring, then simile (ALL RINGS on CUE)

1. [D] Hast du etwas [Em7] Zeit für mich, [G] singe ich ein [A] Lied für dich
von [D] 99 [Em7] Luftballons auf [G] ihrem Weg zum [A] Horizont.
[D] Denkst Du vielleicht [Em7] Grad an mich, (dann) [G] singe ich ein [A] Lied für dich
von [D] 99 [Em7] Luftballons und [G] dass sowas von [A] sowas kommt.

INTERLUDE in BEAT         NC,                  NCx8                  +         NCx8                  to BEAT

2. [D] 99 [Em7] Luftballons auf [G] ihrem Weg zum [A] Horizont
hielt [D] man für Ufos [Em7] aus dem All, [G] d'rum schickte ein [A] General:
"'Ne [D] Fliegerstaffel [Em7] hinterher [G] Alarm zu g?eben, [A] wenn's so wär
da - [D] bei war'n da am [Em7] Horizont nur [G] 99 [A] Luftballons".

INTERLUDE         D         Em7                  G         A         x2

3. [D] 99 [Em7] Düsenflieger, [G] jeder war ein grosser [A] Krieger,
[D] hielten sich für [Em7] Captain Kirk, das [G] gab ein grosses [A] Feuerwerk.
Die [D] Nachbarn haben [Em7] nichts gerafft und [G] fühlten sich gleich [A] ange-macht, da - [D] bei schoss man am [Em7] Horizont auf [G] 99 [A] Luftballons.

INTERLUDE          NCx8                  +         NCx4                  to BEAT

4. [D] 99 [Em7] Kriegsminister, [G] Streichholz und Ben - [A] zinkanister
[D] hielten sich für [Em7] schlaue Leute, [G] witterten schon [A] fette Beute,
[D] riefen: "Krieg" und [Em7] Wollten macht, [G] Man, wer hätte [A] das gedacht,
[D] dass es einmal [Em7] soweit kommt wegen
[G] 99 [A] Luftballons, + SOLO + wegen 99 Luftballons, 99 Luftballons ...
D         Em7                  G                  A         x4         D Kill

ALLES IN RING
5. [D] 99 [Em7] Jahre Krieg [G] liessen keinen [A] Platz für Sieger,
[D] Kriegsminister(ed) [Em7] gibt's nicht mehr
und [G] auch keinen [A] Düsenflieger.
[D] Heute zieh' ich [Em7] meine Runden,
[G] seh' die Welt in [A] Trümmer liegen,
[D] hab'nen Luft - [Em7] ballon gefunden,
[G] denk an dich und [A ENDRING on CUE] lass' ihn fliegen.

Nicole - A Little Peace (F#=)DIV; T°116; Elien Cuypers

INTRO                  D         A7         A7         D         x2                  D

1. [D] Just like a flower when [A7] winter begins,
[A7] just like a candle blown [D] out in the wind,
[D] just like a bird that can [G] no longer fly,
I'm [A7] feeling that way some - [D] time.

2. But [D] then, as I'm falling, weighed [A7] down by the load,
I [A7] picture a light at the [D] end of the road
and [D] closing my eyes, I can [G] see through the dark,
the [A7] dream that is in my [D] heart [D Ring].

3. I [D] feel I'm a leaf in the [A7] November snow,
I [A7] fell to the ground, there was [D] no one below;
so [D] now I am helpless, a - [G] lone with my song,
just [A7] wishing the storm was [D] gone [D Ring].

OUTRO in TEMPO                  G         G         G   GrGr         G RiiiIing On Cue
Peter Maffay - Du (B=)GIV??; Stijn Mertens

INTRO                  XX         [D]         [D]         [G]         [G]

                  [G]         [G]         [D]         [D]         [G]         [G]         TO COUNT2 

1. [G] In deinen [D] Augen steht so [G] vieles was mir [G7] sagt:

[C] du fühlst ge - [G] nau so wie [D] ich [D]. 

[G] Du bist das [D] Mädchen, das [G] zu mir ge - [G] hört,

[G] ich lebe [D] nur noch für [G] dich [Bbr  Cr].

CHORUS1 [F] Du bist [F] alles was ich [C] habe auf der [C] Welt,

[F] du bist [F] alles was ich [G] will! [G7] 

[C] Du, [C] du al - [F] lein kannst mich ver - [C] steh´n,

[C] du, [C] du darfst [F] nie mehr von mir [D7sus4] geh´n [D7].

2. [G] Seit wir uns [D] kennen, ist mein [G] Leben bunt und [G7] schön

[C] und es ist [G] schön nur durch [D] dich [D]. 

[G] Was auch ge - [D] scheh´n mag, ich [G] bleibe bei [G] Dir,

[G] ich laß dich [D] niemals im [G] Stich [Bbr  Cr]. 

CHORUS2 [F] Du bist [F] alles was ich [C] habe auf der [C]Welt,

[F] du bist [F] alles was ich [G] will, [G7] yeah! 

[C] Du, [C] du al - [F] lein kannst mich ver - [C] steh´n,

[C] du, [C] du darfst [F] nie mehr von mir [D7sus4] geh´n [D7].              TO COUNT4

INTERLUDE                  [E]         [E]         [A]         [A]         [E] 

                                    [A]         [A]         [A]         [E]         TO COUNT2 

Du, ich will dir etwas sagen was ich noch zu keinem anderen Mädchen, zu keinem anderen Mädchen gesagt habe: ich hab' dich lieb, ja, ich hab' dich lieb und ich will dich immer lieb haben, immer, immer nur dich.

[Am] Wo ich auch [E] bin, [Am] was ich auch [E] tu,

[Am] ich hab ein [E] Ziel, [Am] und dieses [E] Ziel

bist [Dm] du, bist [Dm] du, bist [Esus4] du [Esus4]         [E].

3. [A] Ich kann nicht [E] sagen was [A] du für mich [A7] bist,

[D] sag das ich [A] dich, dich nie ver - [E] lier [E]. 

[A] Ohne dich [E] leben das [A] kann ich nicht [A] mehr,

[A] nichts kann mich [E] trennen von [A] dir         [Cr  Dr]

ENDCHORUS                  [G] Du bist [G] alles was ich [D] habe auf der [D] Welt,

                           [G] du bist [G] alles was ich [A] will, [A7] yeah!

TO FADE         [D] Du, [D] du al - [G] lein kannst mich ver - [D] stehen,

                  [D] du, [D] du darfst [G] nie mehr von mir [D] gehen.

TO FADE         [D] Du, [D] du al - [G] lein kannst mich ver - [D] stehen ...

Peter Schilling - Major Tom T°=162 (V.E.); Stijn Mertens

INTRO in COUNT8         Em         Em                  BEAT         Em         Em                  Am         Em

//:         Em         Am         D         x2                  C         Am         Em         ://         Bm to COUNT4
1a. Gründlich durchgecheckt steht sie da und wartet auf den Start. Alles klar.
Experten streiten sich um ein paar Daten.
Die Crew hat dann noch ein paar Fragen, doch der Countdown läuft.
1b. Effektivität bestimmt das Handeln, man verlässt sich blind auf den andern.
Jeder weiss genau was von ihm abhängt, jeder ist im Stress.
Doch Major Tom macht einen Scherz. Dann hebt er ab und ...

//:         Em         Am         D         x2                  C         Am         Em         ://         Bm to COUNT4
2a. Die Erdanziehungskraft ist überwunden, alles läuft perfekt schon seit Stunden.
Wissenschaftliche Experimente, doch was nutzen die am Ende, denkt sich Maj. Tom.
2b. Im Kontrollzentrum da wird man panisch: der Kurs der Kapsel, der stimmt ja gar nicht. Hallo, Major Tom, können Sie hören, woll'n Sie das Projekt den(n?) so zerstören? Doch er kann nichts hören. Er schwebt weiter.

Em         Am         D         Em                  Am         D         C         Am
3. Die Erde schimmert blau, sein letzter Funk kommt:
"Grüs(t) mir meine Frau" und er verstummt.
Em         Am         D         Em                  Am         C         Am7                  Em         Bm to COUNT4
Unten trauern noch die Egoisten, Major Tom denkt sich, wenn die wüssten!
Mich führt hier ein Licht durch das All,
das kennt ihr noch nicht, ich komme bald, mir wird kalt.

CODA                           G         D         Am7                  C         x4         G Ring

Reinhard Mey - Als De Dag Van Toen (A=)GII; Bas VO

INTRO         3/4                  G         C         Em         D Ring

1a. Ik weet nog [G] goed hoe alles eens be - [Am] gon,
hoe [D] vol geheimen was de [G   D] weg die voor ons lag,
een [G] weg waarvan je soms de [Am] rand niet zag;
maar [Bm  C] wat er ook gebeurde, aan 't [Am   D] einde scheen de zon.
1b. Ik [G] tel de dagen die sindsdien ver - [Am] streken
al [D] lang niet meer op de [G   D] vingers van één hand.
Maar ook de [G] tijd kan niets meer van jouw beeld ver - [Am] bleken,
al [Bm   C] is de weg ook nog zo lang, [Amr!!*DrNC  WAIT] naar ons land.

2. Ik heb zo vaak geprobeerd je te doorgronden zoals je in ieder boek lezen kan waardoor
en zag na al die lessen toch het doel versomberen want vandaag weet ik nog minder dan ooit tevoor. Ik heb honderd maal gezien zonder te begrijpen wat jij nu werkelijk wilde en ook elke keer als ik verwachtte alles met je te bereiken kwam weer de wind en blies me weg als een veer.

3. Verdriet en geluk zijn aan elke tijd verbonden die in sneltreinvaart en sneller langs ons suist. Nog steeds helen de tijden alle wonden al denk ik vaak aan de dag dat ik leefde in jouw huis.

2. Geen [G] enkel uur is er dat ik be - [Am] rouw,
al [D] geldt voor mij als troost slechts [G   D] één herinnering.
Nog [G] meer dan gist'ren wacht ik nu op [Am] jou,
maar [Bm   C] minder nog dan morgen als de [Amr!!DrNC  WAIT] dag begint.

Roy Black & Anita - Schön Ist Es Auf Der Welt ... (F=)DIII
Roy = Stijn Mertens; Anita = Elien Cuypers

INTRO         D         A         D         A         D

1. Das [D] Beste am ganzen Tag, [G] das sind die Pausen,
[A] Das ist schon immer in der [D] Schule so.
Das [D] Schönste im ganzen Jahr, [G] das sind die Ferien,
[A] dann ist sogar auch unser [D] Lehrer froh.
Dann [Grr Arr] kann man endlich tun und lassen [Grr  Arr] was man selber will,
dann [Grr  Arr] sind wir frei und keiner sagt mehr, [Grr  Arr] du sei still.
Das [D] Schönste im Leben ist die [G] Freiheit,
denn dann [E] sagen wir hur - [A] ra.

INTERLUDE                  D         A         D         A         D

2. Ich [D] liebe den dunklen Wald, [G] Berge und Seen
[A] und ich schwärme für ein [D] Eis am Stiel.
Ich [D] möch't mit den Wolken zieh'n [G] in ferne Länder.
[A] Ich säss mal gern auf einem [D] Krokodil.
Die [Grr  Arr] Welt wird immer kleiner und die [Grr  Arr] Wünsche die sind gross.
Wa - [Grr  Arr] rum, oh schau wie schön ist auch ein [G  Arr] Frosch im Moos.
Das [D] Schönste im Leben ist die [G] Freiheit,
denn dann [E] sagen wir hur - [A] ra.

OUTRO                  D         A         D         A         D RingOn3
Snappie - De Kleine Krokodil

INTRO         G Ring         NC         x4, and ... BEAT

1. Ik ben [G] Snappie, de [D7] kleine kroko - [G] dil [G],
kom uit [C] Egypte [G] met m'n zonne - [D7] bril [D7].
Ik kom [C] uit een [D7] pikkedonker [G] ei [G]  
en toen [G] sni - sna - [D7] snapte ik me [G] vrij [G Kill].

2. Ik ben [G] Snappie, de [D7] kleine kroko - [G] dil [G],
heb scherpe [C] tanden, ik [G] bijt je in je [D7] bil [D7].
Ik snap [C] alles [D7] wat ik snappen [G] kan [G],
ik snap [G] jou om - [D7] dat ik dat goed [G] kan [G Kill].

3. Ik ben [G] Snappie, de [D7] kleine kroko - [G] dil [G],
snappen dat [C] is, het [G] liefste wat ik [D7] wil [D7].
Ik [C] kruip [D7] tegen mammie [G] aan [G]
dan ziet [G] zij hoe [D7] goed ik snappen [G] kan [G Kill].

4. Ik ben [G] Snappie, de [D7] kleine kroko - [G] dil [G],
al dat [C] snappen, dat [G] is een peule - [D7] schil [D7].
Als je be - [C] gint dan [D7] gaat er wel iets [G] fout [G]
omdat je [G] veel te [D7] veel van snappen [G] houdt [G Kill].

Schubert - Ave Maria (German) (Bb=)GIII
door Elien Cuypers

Scorpions - Wind of Change T°=76; Stijn Mertens

INTRO RING            //:         F         Dm         ://         Am         Dm  Am         G (c2)

C         Dm         C         Dm  Am         G (c2)                  x2
1a. I follow the Moskva down to Gorky Park, listening to the wind of change.
1b. An August summer night, soldiers passing by, list’ning to the wind of change.

INTERLUDE            //:         F         Dm         ://         Am         Dm  Am         G (c2)

BEAT                  C         Dm         C         Dm  Am         1. G (c2)         2. G (c4)
2a. The world is closing in.
Did you ever think that we could be so close, like brothers?
2b. The future's in the air, can feel it ev’rywhere, blowing with the wind of change.

INTERLUDE         Oooh ooh ooh                  C  ring                  C  ring                  TO BEAT

C         Dm         C         Dm  Am         1. G (c2)         2. G (c4)
3a. Walking down the street, distant memories are buried in the past forever.
3b. I follow the Moskva, down to Gorky Park, list’ning to the wind of change.

BRIDGE         //:    Am         G         ://                  C         Dm         E         E
The wind of change blows straight into the face of time, like a stormwind that will ring the freedom bell for peace of mind. Let your balalaika sing what my guitar wants to say:

SOLO                  F  G         E  Am                  1. F  G                  Am         2. Dm                  E

OUTRO, alles RING         O.C.         F         Dm         x2                  Am         Dm
Spider Murphy Gang - Skandal Im Sperrbezirk
door Hans Geukens

INTRO1 in RING         A         G         D         1.         A                  2.         E in BEAT
INTRO2 in BEAT         A         G         D         1.         A                  2.         E

1. In [A] München steht ein Hofbräuhaus doch [G] Freudenhäuser müssen raus,
da - [D] mit in dieser schönen Stadt das [E] Laster keine Chance hat!
Doch [A] jeder ist gut informiert, weil [G] Rosie täglich inseriert
und [D] wenn dich deine Frau nicht liebt wie [E] gut, daß es die Rosi gibt!
PRE-CHORUS Und [A] draußen vor der [C] großen Stadt
stehen die [Bm7] Nutten sich die [E] Füße platt! 

2. Ja, [A] Rosie hat ein Telefon, auch [G] ich hab' ihre Nummer schon.
Unter [D] 32-16-8 herrscht [E] Konjunktur die ganze Nacht.
Und [A] draußen im Hotel d'Amour lang - [G] weilen sich die Damen nur
weil [D] jeder den die Sehnsucht quält ganz [E] einfach Rosies Nummer wählt.
PRE-CHORUS Und [A] draußen vor der [C] großen Stadt
stehen die [Bm7] Nutten sich die [E] Füße platt! 

2. Ja, [A Kill] Rosie hat ein Telefon, auch [NC] ich hab' ihre Nummer schon.
Unter [NC] 32-16-8 herrscht [NC] Konjunktur die ganze Nacht.
Und [NC] draußen im Hotel d'Amour lang - [NC] weilen sich die Damen nur, weil
[NC] jeder den die Sehnsucht quält ganz [BEAT!! E] einfach Rosies Nummer wählt.
PRE-CHORUS Und [A] draußen vor der [C] großen Stadt
stehen die [Bm7] Nutten sich die [E] Füße platt! 

Trio - Da Da Da (Ich Lieb Dich Nicht Du) C=AIII
door Hans Geukens

INTRO (NO CHORD)                  Aha, aha ...

1. Was ist los mit dir mein Schatz? Aha.         Geht es immer nur bergab? Aha.
Geht nur das was du verstehst? Aha.                  This ist what you got to know.
Loved you though we didn't show.

Ich lieb dich nicht, du liebst mich nicht (4x).

NO CHORD !!!                                                      NO CHORD !!!
2. Soso, du denkst es ist zu spät, aha.
Und du meinst dass nichts mehr geht, aha.
Und die Sonne wandert schnell, aha.
After all it's set and done
 it was right for you to run.

Ich lieb dich nicht, du liebst mich nicht. Aha.         x4

Wind - Lass Die Sonne In Dein Herz (B=)GIV
Kaat Swinnen

INTRO KIV         DJEMBE, then         G         G         G

1. [G] Manchmal bist du traurig und [C   G] weißt nicht warum,
[G   Em] tausend kleine Kleinigkeiten [A   D] machen dich ganz stumm.
[G] Du hast fast vergessen [C   A] wie das ist ein Mensch zu sein,
doch [C   D] du bist nicht al - [G   C Ring D Ring] lein.

2. [KV G] Manchmal in den Nächten [C   G] macht dein Zorn dich blind
[G   Em] und Gefühle sterben wie ein [A   D] Kerzenlicht im Wind.
[G] Und dein Mut vergeht dir denn die [C   A] Angst dringt in dich ein,
doch [C   D] du bist nicht al - [G   C Ring D Ring] lein.

3. [KVI G] Du musst an dich glauben [C   G] Mitleid brauchst du kein
und [G   Em] du musst dein Leben lieben [A   D] denn du hast nur eins. (to KC K0)
Niemals mehr im Schatten stehn geh ins Licht hinein, du bist nicht allein.

EXTRA

Boney M - Rivers Of Babylon (C=)AIII

INTRO         Hmmmmmm
INTRO         xxx         A r         NC         A r         NC         E r         NC         A r         NC

1. When the wicked [A] carried us away in cap - [A] tivity
re - [D] quired (requiring?) from us a [A] song. Now [A] how shall we sing
the [A] lord's (love?) song in a [E] strange [A] land [A].
When the wicked [A] carried us away in cap - [A] tivity
re - [D] quired (requiring?) from us a [A] song. Now [A] how shall we sing
the [A] lord's (love?) song in a [E] strange [A] land [A]                  [A].

INTERLUDE IN BEAT         A         A         A         A         E         E         A         A

BRIDGE in RING, repeat in BEAT
Let the [A] words of our [E] mouth                            /
and the medi - [A] tations of our [E] heart                  /
be ac - [A] ceptable in thy [E] sight                            /
here to - [A] night [A].                                             / x2

KARAOKE: http://www.youtube.com/watch?v=7hW9Zn_pYXQ

Nights in White Satin  
ARTIST: The Moody Blues

1) [Em] Nights in white [D] satin, [Em] never reaching the [D] end
[C] Letters I've [G] written, [F] never meaning to [Em] send
[Em] Beauty I'd [D] always missed, [Em] with these eyes [D] before
[C] Just what the [G] truth is, [F] I can't say any [Em] –more

'Cause I [A] love you, yes I [C] love you, oh, how I [Em] love you [D] [Em]

2) [Em] Gazing at of al [D] people, [Em] some hand in [D] hand
[C] Just what I'm [G] going through [F] they can’t under [Em] –stand
[Em] Some try to [D] tell me, [Em] thoughts they cannot de [D] –fend
[C] Just what you [G] want to be, [F] you will be in the [Em] end

'Cause I [A] love you, yes I [C] love you, oh, how I [Em] love you [D] [Em]

INSTRUMENTAL
Em | D | C | B7 | X2
Em | C | Em | C | Am | B7 | Am | B7 |
Em | D | C (onmiddellijk door) | Em | D | Em | D |

3) [Em] Some try to [D] tell me [Em] thoughts they cannot de- [D] -fend.
[C] Just what you [G] want to be, [F] you will be in the [Em] end.

'Cause I [A] love you, yes I [C] love you, oh, how I [Em] love you [D] [Em]

{Epilogue, spoken}
Breathe deep in the gathering gloom
Watch lights fade from every room
Bedsitter people look back and lament
Another day's useless energy’s spent
Impassioned lovers wrestle as one
Lonely man cries for love and has none
New mother picks up and suckles her son
Senior citizens wish they were young
Cold-hearted orb that rules the night
Removes the colors from our sight
Red is gray and yellow white
And we decide which is right
And which is an illusion?

Those Were The Days - Gene Raskin

[Am]Once upon a time there was a [Am7] tavern,
[A7]where we used to raise a glass or [Dm] two.
Remember how we laughed away the [Am7] hours,
and [B7] dreamed of all the great things we would [E] do.

Those were the [Am] days, my friend,
we thought they'd [Dm] never end,
we'd sing and [G] dance for [G7] ever and a [C] day;
We'd live the [Dm] life we choose,
we'd fight and [Am] never loose,
For we were [E7] young, and sure to have our [Am] way.

La la la [Am]la la ([A7]) la la la la [Dm]la la la
Those were the [E7] days, oh yes those were the [Am] days. END

Then the busy years went rushing by us.
We lost our starty of STARRY notions on the way.
If by chance I'd see you in the tavern,
we'd smiled at one another, and we'd say: (repeat chorus)

Just tonight I stood before the tavern.
Nothing seemed the way it used to be.
In the glass I saw a strange reflection,
was that lonely woman really me? (repeat chorus)

Through the door there came familiar laughter.
I saw your face and heard you call my name.
Oh, my friend, we're older, but no wiser.
For in our hearts the dream are still the same. (repeat chorus)

STREETS OF LONDON (Trad., Arr. Ralph McTell)

1) [C] Have you seen the [G] old man, in the [Am] closed-down [Em] market
[F] picking up the [C] papers, with his [D7] worn-out [G7] shoes?
[C] In his eyes you [G] see no pride, [Am] and held loosely [Em] by his side
[F] yesterday's [C] papers, telling [G7] yesterday's [C] news.

CHORUS:
([C]) So [F] how can you [Em] tell me, you're [C] lo - ne - [Am] ly
[D7] and say for [D7] you that the sun don't [G] shine? G7[]
[C] Let me take you [G] by the hand,
and [Am] lead you through the [Em] streets of London
[F] I'll show you [C] something, to [G7] make you change your [C] mind

2) Have you seen the old gal, who walks the streets of London
dirt in her hair, and her clothes in rags?
She's no time for talking, she just keeps right on walking
Carrying her home, in two carrier bags

3) And in the all-night cafe , at a quarter past eleven
some old man sitting there, all on his own
Looking at the world, over the rim of his tea-cup
Each day lasts an hour, then he wanders home alone

4) And have you seen the old man, outside the seaman's mission?
His memory's fading, with those medal ribbons that he wears
And in our winter city, the rain cries little pity
For one more forgotten hero, and a world that doesn’t care.

The Midnight Special - CCR

1) ([G]) Well you wake up in the [C] morning?
You hear the work [G] bell ring OF Hear the ding dong [G] ring.
And they march you to the [D7] table to see the same old [G] thing.
Ain’t no food upon the [C] table and no pork up in the [G] pan.
But you better not com [D7] -plain boy you get in trouble with the [G] man.

Refr.
Let the Midnight [C] Special shine a light on [G] me
Let the Midnight [D7] Special shine a light on [G] me
Let the Midnight [C] Special shine a light on [G] me
Let the Midnight [D7] Special shine a everloving [C7] light on [G ring5] me.

2) Yonder come miss Rosie, how in the world did you know?
By the way she wears her apron, and the clothes she wore.
Umbrella on her shoulder, piece of paper in her hand;
She come to see the gov?nor, she wants to free her man. Refr.

3) If you’re ever in Houston, well, you better do right;
You better not gamble and you better not fight at all
You know the sheriff he'll grab ya and the boys will bring you down.
The next thing you know, boy, Oh! You’re prison bound. Refr. X2

Love Is All

Intro: B7 | E7 | A7 | D ring ||

1) [C] Every [G] -body's got to [C] live to [F] -gether
[C] All the [G] people got to [C] under [F] -stand
[C] So, love your [G] neighbour like you [C] love your [F] brother
[G7] Come on and join the band.

2) [C] Well, all you [G] need is love and [C] under [F] -standing
[C] Ring the [G] bell and let the [C] people [F] know
[C] We're so [G] happy and we're [C] cele [F] -bratin'
[G7] (Come on and) let your feelings show

(Chorus)

Love is [Am] all, well love is [D7] all,
love is [G7] all, can't you hear the [C] call.
Oh, love is [Am] all you need, love is [D7] all you need,
love is [G7] all at the Butterfly [C ring3] Ball.

3) [C] Ain't you [G] happy that we're [C] all to [F] -gether
[C] At the [G] ball in nature's [C] country [F] -side
[C] And al [G] -though we're wearing [C] different [F] faces
[G] Nobody wants to hide.

(Chorus)
Love is [Am] all, and all is [D7] love and it's [G7] easy, yes it's so [C] easy.
At the [Am] Butterfly Ball where [D7] love is all, [G7] And it's so easy.

All you need is love and understanding. Hey, ring the bell and let the people know
We're so happy and we're celebratin', let your feelings show

Love is all, yes love is all at the Butterfly Ball, love is big, love is small.
Love is free, love is all at the Butterfly Ball.

When you back's to the wall
When you're starting to fall
You got something to lean on
Love is everything
It can make you sing at the Butterfly Ball
Love is all, I say love is all, yes love is all
At the Butterfly Ball

House For Sale

by Lucifer

El Condor Pasa

I'd [Em] rather be a sparrow than a [G] snail.
Yes I would, if I could, I surely [Em] would.
I'd [Em] rather be a hammer than an [G] nail.
Yes I would, if I could, I surely [Em] would.

REFR.
A [C] -way, I'd rather sail away.
Like a [G] swan that's here and gone.
A [C] -way, it's tied up to the ground.
It gives the [G] world its saddest sound,
Its saddest [Em] sound.

I'd [Em] rather be a forest than a [G] street
Yes I would, if I could, I surely [Em] would
I'd [Em] rather feel the earth beneath my [G] feet.
Yes I would, if I could; I surely [Em] would. + Refr.

LOSING MY RELIGION – R.E.M. 

Intro: F | Am | F | Am G ||   

1.) Oh [Am] life is bigger, [Em] it's bigger than you.
And you are [Am] not me, the lengths that I will [Em] go to.
The distance in your [Am] eyes [Em] Oh no, I've said [EmII] too [Ebm]
[Dm] much, I've said e[G]nough.  

2.) That's me in the [Am] corner, that's me in the [Em] spot light,
losing my reli[Am]gion. Trying to [Em] keep up with you.
And I [Am] don't know if I can do it. [Em] Oh no, I've [EmII] said [Ebm] too
[Dm] much, I haven't said e[G]nough.   

I thought that I heard you laughing [F] [Fsus2].
  I [F] thought that I [G] heard you [Am] sing [AmII].
I [F] think I [Fsus2] thought I [F] saw [G] you [Am] try. [G]   

3.) Every [Am] whisper, every waking [Em] hour,
I'm choosing my con[Am]fessions.Trying to [Em] keep eye on you.
Like a [Am] hurt lost and blinded fool, fool. [Em] Oh no, I've [EmII]said [Ebm]too
[Dm] much. I said e[G]nough.   

4.) Consider [Am] this, consider this [Em] hint of the century.
Consider [Am] this, the slip, that [Em] brought me to my knees pale.
[Am] What if all these fantasies come [Em] flaming aground. [EmII] Now [Ebm] I've
[Dm] said too [G] much.   

I thought that I heard you laughing [Fsus2]. [F]
I thought that I [G] heard you [Am] sing [AmII].
I [F] think I [Fsus2] thought I [F] saw [G] you [Am] try [G].   

{Interlude 4x:} --12--12--12--10--10--10--10--8--8--8--5--5--5--5--5-- 

That was just a dream. That was just a dream.  
That's me in the [Am] corner. That's me in the [Em] spot light,
losing my religion [Am]. Trying to [Em] keep up with you.
And I [Am] don't know if I can do it [Em] Oh no, I've [EmII] said [Ebm] too
[Dm] much. I haven't said e[G]nough [G].   

I thought that I heard you laughing [F] [Fsus2].
I [F] thought that I [G] heard you [Am] sing [AmII].
I [F] think I [Fsus2] thought I [F] saw [G] you [AmII] try.
But [F] that was [Fsus2] just a [F] dream, [G] [Am] try, [AmII] cry, why try.
(TEKST?) [F] That was [Fsus2] just a [F] dream, [G] just a
[Am] dream, just a [G] dream, dream [Am].   

{Outro:} (Play the first measure 7 times)

We are the world / Zolang een mens
Ooit met KII of KI

INTRO
D . . (Em F#m) | Gmj7 . /A (DA) |
D . . (Em F#m) | Gmj7 . A . 7 ||

STROFE 1
D | G A D . | G A | D |
Bm | F#m | G . /E . | Asus4 . A7 . |

STROFE 2
D | G A D . | G A | D |
Bm | F#m | G . /E . | Asus4 . A7 D |

CHORUS
G A |D | G A | D |
Bm | F#m | G . /A . | D G F#m Em |

INTRO

STROFE 2

CHORUS
G A |D | G A | D |
Bm | F#m | G . /A . | D ||

BRIDGE
Bb . C . | D | Bb . C . | D |
Bm | F#m | G . /E . | Asus4 . A7 D |

CHORUS
G A |D | G A | D |
Bm | F#m | G . /A . |

CODA
r Bb r C | r r D . ||

Lola
The Kinks

I [E] met her in a club down in old Soho
where you [A] drink champagne and it [D] tastes just like cherry-
[E] cola [lp version: Coca-cola] C-o-l-a [A] cola
She [E] walked up to me and she asked me to dance
I [A] asked her her name and in a [D] dark brown voice she said [E] Lola
L-o-l-a [A] Lola [D] lo-lo-lo-lo [C] Lola [C][E]

Well I’m [E] not the world’s most physical guy
But when she [Z] squeezed me tight she [D] nearly broke my spine
Oh my [E] Lola lo-lo-lo-lo [A] Lola
Well I’m [E] not dumb but I can’t understand
Why she [A] walked like a woman and [D] talked like a man
Oh my [E] Lola lo-lo-lo-lo [A] Lola [D] lo-lo-lo-lo [C] Lola [C] [E]

Well we [B7] drank champagne and danced all night
[F#7] Under electric candlelight
She [A] picked me up and sat me on her knee
And said dear boy won’t you come home with me
Well I’m [E] not the world’s most passionate guy
But when I [A] looked in her eyes well I [D] almost fell for my [E] Lola
Lo-lo-lo-lo [A] Lola [D] lo-lo-lo-lo [C] Lola [C D]
[E] Lola lo-lo-lo-lo [A] Lola [D] lo-lo-lo-lo [C] Lola [C D] [E][E]

I [A E] pushed her a-[B7] way
I [A E] walked to the [B7] door
I [A E] fell to the [B7] floor
I got [E G#7] down on my [C#m] knees
Then [B7] I looked at her and she at me

Well that’s the way that I want it to stay
And I always want it to be that way for my lola
Lo-lo-lo-lo lola
Girls will be boys and boys will be girls
It’s a mixed up muddled up shook up world except for lola
Lo-lo-lo-lo lola

Well I left home just a week before
And I’d never ever kissed a woman before
But lola smiled and took me by the hand
And said dear boy I’m gonna make you a man

Well I’m not the world’s most masculine man
But I know what I am and I’m glad I’m a man
And so is lola
Lo-lo-lo-lo lola lo-lo-lo-lo lola
Lola lo-lo-lo-lo lola lo-lo-lo-lo lola

What a wonderfull World
Louis Armstrong

I see [C] trees of [Em] green, [F] red roses [Em] too
[Dm] I [/G] see them [C] bloom [E(7)] for me and [Am] you
And I [Ab] think to myself [Dm7] what a [G7] wonderful [C F] world [C].

I see [C] skies of [Em] blue and [F] clouds of [Em] white
[Dm] The [/G] bright blessed [C] day, the [E(7)] dark sacred [Am] night
And I [Ab] think to myself [Dm7] what a [G7] wonderful [C F] world [C].

The [Dm7] colors of the [G7] rainbow so [C] pretty in the sky
Are [Dm7] also on the [G7] faces of [C] people going by
I see [Am] friends shaking [Em] hands saying [Am] how do you [Em] do
[Am] They're really [E° (= dim)] saying [Dm7] I love [G] you.

I hear [C] babies [Em] crying, I [F] watch them [Em] grow
[Dm] They'll learn [C] much more than [E(7)] I'll never [Am] know
And I [Ab] think to myself [Dm7] what a [G7] wonderful [C Gm6] world
[A7] Yes I [Dm7] think to myself what a [G7] wonderful [C Fm] world [C].

De Fanfare Van Honger En Dorst
Jan De Wilde Album=Hè Hè

Intro :
Bm G A D Dsus4 D A Asus4 A D
Bm G A D Dsus4 D A Asus4 A D  

We [Bm] liepen in [D] Gent rond, we [Bm] waren met [D] zessen,
we [Bm] kwamen van [D] nergens, gingen [G] nergens naar- [A] toe,
van- [Bm] af de ter- [D] rassen, in [Bm] de koffie- [D] huizen
be- [Bm] keken we de [D] mensen en hun [G] drukke ge- [A] doe.  

We [F#] liepen met [D] ons [A] hoofd in de [D of Bm] wolken
en [Em] werden dan wakker met [G]honger en [A] dorst
en [F#] iedereen [D] riep : kijk daar [A] loopt de fan- [Bm of D]fare,
[G] de fan- [D] fare van [A] honger en [D] dorst.
[G] de fan- [D] fare van [A] honger en [D] dorst.  

Bm | D | Bm | D | Bm | D | G | A (x2)
We hadden geen geld om eten te kopen
maar we wisten voor alles het beste adres,
mosselen bij Leentje en frieten bij Helga en
Annie bewaarde voor ons wel een fles.
F# | D | A | D of Bm | Em | Em | Em | A
En iedere nacht, nog net voor het slapen,
de laatste vijf frank in Eddies joeboks,
F# | D | A | Bm of D
"A hard rain 's gonna fall", we zongen 't allemaal samen,
G | D | A | D | G | D | A | D
de fanfare van honger en dorst.  

Bm | D | Bm | D | Bm | D | G | A (x2)
En kwam er een vrouw die een van ons meenam,
dan namen we afscheid en zegden vaarwel,
de fanfare trok verder met minder leden, de toon in mineur,
we begrepen dat wel.
F# | D | A | D of Bm | Em | Em | Em | A
Maar er was nooit een vrouw die mooier kon zingen
dan onze fanfare van honger en dorst
F# | D | A | Bm of D
en het duurde nooit lang of we waren weer samen
G | D | A | D | G | D | A | D
met de fanfare van honger en dorst.  

Bm | D | Bm | D | Bm | D | G | A (x2)
Wie van ons had ooit durven denken
dat iedereen van ons voorgoed weg zou gaan,
we hebben toen zelf de fanfare ontbonden,
we hebben als iedereen de prijs zwaar betaald.
F# | D | A | D of Bm | Em | Em | Em | A
De prijs voor de vrijheid : in ruil voor wat centen,
een baan bij de bank, een auto, een kind,
F# | D | A | Bm of D
maar ergens in de stad zingt een nieuwe fanfare,
G | D | A | D | G | D | A | D
een nieuwe fanfare van honger en dorst,
een nieuwe fanfare van honger en dorst.

Ev. omzetting met KII: A, Bm, D en G wordt dan G, Am, C en F

Wil niet dat je weg gaat

Clouseau

Voorlopig ONVOLLEDIG

Intro: Am Am/G Am/F E7

[Am] 'k weet dat je soms twijfelt, [Am/G] dat het soms niet meer gaat,
[Am/F] de wanhoop staat geschreven [E7] op je gelaat.
[C] Je wil wel maar je kan niet, [Dm] of toch niet helemaal,
[G7] net of je staat te zingen [E7] voor een lege zaal.

Refrein
[Am] Maar ik wil niet dat je weggaat, [Am/G] 'k wil niet alleen.
[Am/F] Ik wil niet dat je weg- [E7] gaat.
Nee, nee, nee, [Am] ik wil niet dat je weggaat, [Am/G] ik wil niet alleen.
Ik wil niet alleen, [Am/F] ik wil niet dat je weg- [E7] gaat.

VERS 2
[Am] [Am/G] [Am/F] [E7]
Ik weet dat je soms weg wil
Want de maat is weer vol
Er gebeuren rare dingen
En je hoofd slaat op hol

A
Je denkt wel maar je weet niet
Bm
Of je blijven zou
Maar ik kan niet en ik wil ook niet
Zonder jou

Je lacht wel maar je zegt niet veel
Nee of ik je in tweeen deel
Een helft komt niet op toeren
De andere teveel

VERDRONKEN VLINDER
Boudewijn De Groot
Versie beginners met KV

Zo te [G] sterven op het [C] water met je [D] vleugels van pa-[G] pier.
Zomaar [G] drijven, na het [C] vliegen in de [D] wolken drijf je [G] hier.
Met je [Em] kleuren die vervagen,
zonder [Am] zoeken zonder vragen,
einde-[D] lijk voor altijd rusten
en de bloemen die je kuste.
Kleuren [G] die je hebt geweten,
alles [Em] kan je nu vergeten,
op het [C] water [D] wieg je heen en [G] weer.
Zo te [G] sterven op het [D] water met je [C] vleugels van pa-[G] pier

Als een [G] vlinder die toch [C] vliegen kan tot [D] in de blauwe [G] lucht.
Als een [G] vlinder altijd [C] vrij en voor het [D] leven op de [G] vlucht.
Wil ik [Em] sterven op het water,
maar dat [Am] is een zorg van later,
ik wil [D] nu als vlinder vliegen
op de bloemenblaren vliegen.
Maar zo [G] hoog kan ik niet komen,
dus ik [Em] vlieg maar in mijn dromen.
Altijd [C] ben ik voor het [D] leven op de [G] vlucht.
Als een [G] vlinder die toch [D] vliegen kan tot [C] in de blauwe [G] lucht.

Om te [G] leven dacht [C] ik je zou een [D] vlinder moeten [G] zijn.
Om te [G] vliegen heel ver [C] weg van alle [D] leed, van alle [G] pijn.
Maar ik [Em] heb niet langer hinder van ja[Am]-loersheid op een vlinder,
als zelfs [D] vlinders moeten sterven
laat ik niet mijn vreugd bederven.
Ik kan [G] zonder vliegen leven
Wat zou [Em] ik nog langer geven
Om een [C] vlinder die ver-[D] dronken is in [G] mei.
Om te [G] leven hoef ik [D] echt geen [C] vlinder meer te [G] zijn.

VERDRONKEN VLINDER
Boudewijn De Groot

Zo te [C] sterven op het [F] water met je [G] vleugels van pa-[C] pier.
Zomaar [C] drijven, na het [F] vliegen in de [G] wolken drijf je [C] hier.
Met je [Am] kleuren die vervagen,
zonder [Dm] zoeken zonder vragen,
einde-[G] lijk voor altijd rusten
en de bloemen die je kuste.
Kleuren [C] die je hebt geweten,
alles [Am] kan je nu vergeten,
op het [F] water [G] wieg je heen en [C] weer.
Zo te [C] sterven op het [G] water met je [F] vleugels van pa-[C] pier

Als een [C] vlinder die toch [F] vliegen kan tot [G] in de blauwe [C] lucht.
Als een [C] vlinder altijd [F] vrij en voor het [G] leven op de [C] vlucht.
Wil ik [Am] sterven op het water,
maar dat [Dm] is een zorg van later,
ik wil [G] nu als vlinder vliegen
op de bloemenblaren vliegen.
Maar zo [C] hoog kan ik niet komen,
dus ik [Am] vlieg maar in mijn dromen.
Altijd [F] ben ik voor het [G] leven op de [C] vlucht.
Als een [C] vlinder die toch [G] vliegen kan tot [F] in de blauwe [C] lucht.

Om te [C] leven dacht [F] ik je zou een [G] vlinder moeten [C] zijn.
Om te [C] vliegen heel ver [F] weg van alle [G] leed, van alle [C] pijn.
Maar ik [Am] heb niet langer hinder van ja[Dm]-loersheid op een vlinder,
als zelfs [G] vlinders moeten sterven
laat ik niet mijn vreugd bederven.
Ik kan [C] zonder vliegen leven
Wat zou [Am] ik nog langer geven
Om een [F] vlinder die ver-[G] dronken is in [C] mei.
Om te [C] leven hoef ik [G] echt geen [F] vlinder meer te [C] zijn.

VENUS

INTRO

B7sus4 | B7sus4 | B7sus4 | B7
Em A | Em A | Em A | Em A | ..

A [Em A] godness on a mountain top [Em A]
Was [Em A] burning like a silver flame [Em A]
The sum-[Em A] mit of beauty in love OF she was [Em A]
And [Em A] Venus was her name [Em]

CHORUS
She's [Am D] got it, [Am D] yeah baby she's [Em A] got it [Em A]
Well, [C] I'm your Venus, [B7] and I'm your fire at [Em A] your desire [Em A]
Well, [C] I'm your Venus, [B7] and I'm your fire at [Em A] your desire [???]

[Em A] [Em A] [Em A] [Em A]
Her weapon were her crystal eyes
Making every man mad
Black as a darknight she was
Got what no one else had  

CHORUS
She's got it, yeah baby she's got it
Well, I'm your Venus, I'm your fire at your desire
Well, I'm your Venus, I'm your fire at your desire  

CHORUS
She's got it, yeah baby she's got it
Well, I'm your Venus, I'm your fire at your desire
Well, I'm your Venus, I'm your fire at your desire

I Have A Dream – Westlife

INTRO
G | G | G | D
D | D | G | G

VERS 1
I have a [D] dream, a song to [G] sing
To help me [D] cope with any-[G]thing
If you see the [D] wonder of a fairy [G] tale
you can take the [D] future even if you [G] fail

CHORUS
I believe in [D] angels, something good in [C]everything I [G]see
I believe in [D] angels, when I know the [C] time is right for [G] me
I'll cross the [D] stream; I have a [G] dream.

VERS 2
I have a [D] dream, a fanta- [G] sy
To help me [D] through reali- [G] ty
And my desti- [D] nation makes it worth the [G] while
pushing through the [D] darkness still another [G] mile

CHORUS

VERS 1

CHORUS

INTRO

VERS 1

CHORUS

VERS 2

CHORUS

VERS 1

CHORUS

Hieronder: liedjes van optreden 7 mei in alfabetische orde.

Achy Breaky Heart

Intro VERANDERD : A A A A .......

[A]Well you can tell the world you never was my girl
You can burn my clothes when I am [E7] gone
Or you can tell your friends just what a fool I've been
And laugh and joke about me on the [A] phone

You can tell my arms go back to the farm
Or you can tell my feet to hit the [E7] floor
Or you can tell my lips to tell my fingertips
They won't be reaching out for you no [A] more

Chorus:
[A] But don't tell my heart, my achy breaky heart
I just don't think he'd under [E7] stand
And if you tell my heart; my achy breaky heart
He might blow up and kill this [A] man… WHOE
Tussenspel: A A A E . . . . E E E A

VERS 2
[A]You can tell your ma I moved to Arcansas
Or you can tell your dog to bit my [E7] leg
Or tell your brother Cliff who's fist can tell my lip
He never really liked me [A] anyway

Go tell your aunt Louise tell anything you please
My separated nose is not [E7] OK
Or you can tell my eye to watch out for my mind
It might be walkin' out on me [A] today

Chorus X2

Chorus: A Cappela

Chorus

Repeat and fade out

Afscheid van een vriend [Clouseau]

Intro: D Em A D..G ZONDER klem (veranderd)
LET OP onderaan laatste lijn: E >> Em

[D] Alles is voorgoed ge-[Em]daan, [G] als jij er klaar voor [A] bent
[D] 'k Heb aan je zijde ge-[Em]staan, [G] Oh, God ik heb je graag ge-[A]kend
[G] Ik blijf nu hier jij gaat naar [D..A] daar [Bm] en dat is niet zover van [A] hier
[D] We spreken af, [Em] ik weet niet waar [A] en daar ontmoeten we el- [D .. G] kaar

REFREIN
[D] Zonder [A] jou tikt de [G] klok even [A] snel,
[D] maar de [Em] tijden ver-[A]anderen wel.
[D] Dus ik neem [G] afscheid, [A] jij moet nu [D] gaan.
[Em] weet dat je in mijn hart, [Bm] altijd blijft [A] voortbe-[G]staan [A]

VERS 2
[D] Slaap zacht, je [Em] hebt het verdiend. [G] Je vocht tot aan je laatste [A] zucht.
[D] En ga, [Em] ga nu mijn vriend en [G] droom voor eeuwig opge-[A]lucht.
[G] Net zoals vroeger kom je [D. . A] wel terecht. [Bm] Ik weet je vindt je thuis heel [A] gauw.
[D] En ik herhaal wat jij me [Em] ooit hebt gezegd: [A] in mijn hart blijf ik je [D .. G] trouw + Refr.

BRUG (3 tellen)
[Em . /] En ik weet ik zou [A . /] dankbaar moeten zijn
[Em . /] maar precies [Bm] daarom [A] doet het zo’n [G] pijn [A] + Refr. + Refr. + D [ring]

Alice – Smokie

LET OP WEERAL TOONSWIJZIGING

Intro met koor G . . . . G ., gitaartokkel

[G] Sally called, when she got the word,
she said: [C] " I suppose you have heard, [D] about [G] Alice". [D]
[G] Well I rushed to the window, and I looked outside.
But I could [C] hardly believe my eyes, [D]
as a big limousine rolled into [G] Alice's drive. [D]

Refrein = START op don’t
Oh I [G] don't know why she's leaving, away she's gonna go.
I [C] guess she's got her reasons, that I just don't want to know.
But for [D] 24 years I've been living next door to [G] Alice. [D]
[G] 24 years just waiting for a chance,
To [C] tell her how I feel maybe I get a second glance
Now I [D] got to get used of not [C] living next door to [G] Alice [D]

Couplet 2
[G] We grew up together, two kids in the park,
[C] Carved our initials deep in the bark... [D] me and [G] Alice [D]
[G] Now she walks to the door with her head held high,
[C] And just for a moment, I caught her eye, [D]
As the big limousine pulled slowly out of [G] Alice's drive. [D]

+ Refrein

Couplet 3
[G] Then Sally called back, and asked how I felt,
[C] She said "I know how to help [D] get over [G] Alice" [D]
[G] She said "Now, Alice is gone, but I'm still here
wat vertragen
[C] I've been waiting twenty four [D ring] years..."
[NC] And the big limousine disappeared...  

+ Refrein + CODA (VERTRAGEN)

CODA
Now I [D ring] got to get used of not [C ring] living next door to [G ringen maar] Alice

Always Look On The Bright Side Of Life Monty Python

Begin met arp of ring
VERS 1
Some [Am]things in life are [D]bad they can [G]really make you [Em]mad
Other [Am]things just [D]make you swear and [G]curse
When you've [Am]chewing an life's [D]gristle,
don't [G]grumble give a [Em]whistle
And [A]this'll help things turn out for the [D]best [D+5]

REFREIN
And [G]always [Em]look on the [Am]bright [D7]side of [G]life [Em] [Am] [D7]
[G]Always [Em]look on the [Am]light [D7]side of [G]life [Em] [Am] [D7]

VERSE 2
If [Am]life seems jolly [D]rotten there's [G]something you've [Em]forgotten
and [Am]that's to laugh and [D]smile and dance and [G]sing.
When you've [Am]feeling in the [D]dumps don't be [G]silly [Em]chumps
Just [A]purse your lips and whistle - that's the [D]thing [D+5]

+ REFREIN (zie boven)

VERS 3
For [Am]life is quite ab-[D)]surd and [G]death's the final [Em]word
you must [Am]always face the [D]curtain with a [G]bow
For-[Am]get about your [D]sin - give the [G]audience a [Em]grin
En-[A]joy it - it's your last chance any-[D]how. [D+5]

REFREIN (andere tekst)
So [G]always [Em]look on the [Am]bright [D7]side of [G]death [Em] [Am] [D7]
[G]just be-[Em]fore you [Am]draw your [D]terminal [G]breath [Em] [Am] [D7]

VERS 4
[Am]Life's a piece of [D]shit [G]when you look at [Em]it
[Am]Life's a laugh and [D]death's a joke it's [G]true
You'll [Am]see it's all a [D]show, keep'em [G]laughing as you [Em]go
just re-[A]member that the last laugh is on [D]you [D+5]

+ REFREIN (boven) + REFREIN + G

Angels Robbie Williams

Intro: |D | % |

I sit and [D]wait, there’s an angel contem-[G]plate my fate [A]
And do they [D]know, the places where we go when we're grey and [G]old [A]
'cause I have been [Em]told That sal-[G]vation lets their [Bm]wings unfold [G]
So when I'm [C]lying in my bed, thoughts [G]running through my head
And I [D]feel the love is dead [C ring] I'm loving [G ring]angels in-[D ….]stead

Refr:
(And through it) [A]All she offers me pro-[Bm]tection, a lot of love and af-[G]fection
Whether I'm right or [D]wrong (And down the water-)
[A]fall, wherever it may [Bm]take me I know that life won't [G]break me
when I come to [D/F#]call; she won't for-[Em STOP]seake me (gitaarsolootje)
[C ring] I'm loving [G ring]angels in-[D …]stead

VERS 2
[D] When I'm feeling weak and my pain walks down a [G]one way street [A]
I look a-[D]bove, and I know I'll always be [G]blessed with love [A]
And [C]as the feeling grows, she means [G]flesh to my bones
And I [D]feel the love is dead [C ring] I'm loving [G ring]angels in-[D ..]stead

Refr

SOLO
| Am | G | D | D |
| Am | G | D | D |
| Am | G | D | D |
| Am | G | D/F# | (onmiddellijk)

Refr

Bad Moon Rising (CCR)

LET OP voor de TOONAARD  

Intro en blijven herhalen: GG DC GG GG

I see bad moon rising, I see trouble on my way.
I see earthquakes and lightnin’, I see bad times today.

Refr.
[C] Don’t go ‘round tonight, it’s [G]bound to take your life,
[D] there’s a [C] bad moon on the [G] rise (x2)

VERS 2
I hear hurricanes a-blowing, I know the end is coming soon.
I fear rivers over flowin’, I hear the voice of rage and rain. Refr.

VERS 3
Hope you got your things together; hope you are quite prepared tot die.
Looks like we’re in for nasty weather, one eye is taken for an eye. Refr.

Big, Big World - Emilia

NO BASS neither gitar

REFREIN
I'm a [C]big, big girl in a [G/C]big, big world
it's not a [F/C]big, big thing, if you [C]leave [G]me
but I [C]do, do feel that I [G/C]do, do will miss you [F/C]much
[C]miss you [G]much ([C])

git app = rings, strings
[C]I can see the [G]first leaves falling
[F]It's all [C]yellow and [G]nice
[Am]It's so very [G]cold outside
[F]Like the way I'm [C]feeling in-[G]side

REFREIN MET bas (stil)

Tussenspel C G/C F/C ..G = START BAS & DRUMS

VERS 2
[C]Outside [G]it's now raining
[F]and tears are falling [C]from my [G]eyes
[Am]Why did it [G]have to happen
[F]Why did it all [C]have to [G]end

REFREIN (bas zoals akkoorden, extra C NIET: ONMIDDELLIJK BRUG)

BRUG :
[Dm]I [/C voor bas]have your [G]arms around me [Am]warm [/G]like [F]fire
But [Dm]when I [/C]open my [G]eyes you're [C]gone [extra C]

REFREIN 2 x = TOON HOGER
I'm a [D]big, big girl in a [A]big, big world
it's not a [G]big, big thing, if you [D]leave [A]me
but I [D]do, do feel that I [A]do, do will miss you [G]much
[D]miss you [A]much

PAS OP 2-de keer zonder bas (arpa)

SLOT
D D A G A D…..(ring)

Blowin’ in the wind

(oorspronkelijk Bob Dylan)

Klem III MISSCHIEN
Begin: arpeggio (rubato = KIJKEN)

VERS 1
[G]How many [C]roads must a [G]man walk [Em]down,
Be-[G]fore you can [C]call him a [Dsus4]man [D7]
Yes, [G]how many [C]seas must the [G]white dove [Em]sail,
Be-[G]fore she [C]sleeps in the [D]sand [D7]

START BY HIHAT
The [C]answer my [D7]friend is [G]blowin’ in the [Em]wind,
the [C]answer is [D7]blowin’ in the [G]wind

TRUMPETS: C G C

VERS 2
[G]How many [C]times must a [G]man look [Em]up,
be-[G]fore he can [C]see the [Dsus4]sky D7
Yes, G[]how many [C]ears must [G]one man [Em]have,
be-[G]fore he can [C]hear people [D]cry [D7]

The [C]answer my [D7]friend is [G]blowin’ in the [Em]wind,
the [C]answer is [D7]blowin’ in the [G]wind

TRUMPETS & SAXES: C G C

VERS 3
[G]How many [C]years can a [G]mountain e-[Em]xist,
be-[G]fore it is [C]washed to the [Dsus]sea D7
Yes, G]how many [C]years can some [G]people e-[Em]xist,
be-[G]fore they’re [C]allowed to be [D]free [D7]

The [C]answer my [D7]friend is [G]blowin’ in the [Em]wind,
the [C]answer is [D7]blowin’ in the [G]wind

Instrumentaal (trumpets):
C G Em G C Dsus4 D7
G C G Em G C D D7

The [C]answer my [D7]friend is [G]blowin’ in the [Em]wind,
the [C]answer is [D7]blowin’ in the [G]wind

Decrescendo: C G C
G C G C G (G sterke & snelle cresc.)

The [C]answer my [D7]friend is [G]blowin’ in the [Em]wind,
the [C]answer is [D7]blowin’ in the [G]wind

TRUMPETS C G C G C G ………………………….

Busje komt zo (Höllenboer)

Er [D]liepen 2 verslaafden [A7]zomaar over straat,
de 1 vroeg aan de ander: zeg, weet [D]jij misschien hoe laat?
Hoe [D]laat komt hier de bus, hoe [G]laat komt hier de bus,
hoe [D]laat komt hier de bus, dus [A7]zei die ander [D ring5]dus:

Refr.
Busje komt [D]zo, busje komt zo, busje komt [A7]zo, busje komt zo,
busje komt zo, busje komt zo, busje komt [D]zo, busje komt zo,
busje komt zo, busje komt [D7]zo, busje komt [G]zo, busje komt [Gm]zo, (doen we NIET)
[D]eventjes geduld nog want het [A7]busje komt [D]zo.

VERS 2
Er [D]lagen 2 verslaafden [A7]samen in de goot,
de 1 was half levend en de [D]ander half dood.
Toen [D]kwam er een agent aan die [G ring5]vroeg wat moet dat hier (wat moet dat hier …)
Wij [D]wachten op ons busje, dat [A7]komt over een [D ring5]kwartier. Refr.

VERS 3
Er [D]dachten 2 verslaafden al-[A7]leen maar aan de spuit
en bij het oversteken ke-[D]ken zij dus niet goed uit.
Daar [D]kwam de methadonbus die hen [G]beiden overreed.
De [D]andere junks maar wachten want het [A7]busje kwam too [D ring5]late. Refr.

VERS 4
Er [D]stonden 2 verslaafden voor de [A7]poorten v.d. hel,
ze wilden graag naar binnen en ze [D]trokken aan de bel.
De [D]duivel deed hen open en hij [G]zag die 2 daar staan.
Hij [D]zei nog even wachten want het [A]busje komt er [D ring5]aan. Refr.

Colors of the wind  

Intro piano: NC NC NC NC You think I'm an ignorant savage And you've been so many places, I guess it must be so But still I cannot see, if the savage one is me How can there be so much that tyou don't know? You don't know...

Intro gitaar : C Am C Am  

You [C]think you own whatever land you [Am]land on
The [C]earth is just a dead thing you can [Em]claim
But [Am]I know every rock and tree and [F]creature
Has a [Dm]life, has a [Dm7/G]spirit, has a [Am]name
You [C]think the only people who are [Am]people
Are the [C]people who look and think like [Em]you
But [Am]if you walk the footsteps of a [F]stranger
You'll learn [Dm]things you never [Dm7/G]knew you never [C]knew

REFREIN
Have you [Am]ever heard the wolf cry to the [Em]blue corn [F]moon
Or [Am]ask the grinning bob cat why he [Em]grinned
Can you [F]sing with all the [G]voices of the [C/E]mountain [Am]
Can you [F6]paint with all the colours of the [Am7]wind
Can you [Dm]paint with all the [Dm7/G]colours of the [C]wind ( [Am] )

VERS 2
Come [C]run the hidden pine trails of the [Am]forest
Come [C]taste the sun-sweet berries of the [Em]earth
Come [Am]roll in all the riches all a-[F]round you
And for [Dm]once never [Dm7/G]wonder what they're [Am]worth
The [C]rainstorm and the river are my [Am]brothers
The he-[C]ron and the otter are my [Em]friends
And [Am]we are all connected to each [F]other
In a [Dm]circle in a [Dm7/G]hoop that never [C]ends

REFREIN zie boven, dan ONMIDDELLLIJK

[Em]How [F]high does that [C/E]sycamore [Am]grow
If you [Bb]cut it down then you'll [F/G]never [G]know NC NC NC NC
And you'll [Am]never hear the wolf cry to the [Em]blue corn [F]moon
For [Am]whether we are white or copper [Em]skinned
We need to [F]sing with all the [G]voices of the [C/E]mountain [Am]
We need [F6]paint with all the colours of the [Am7]wind
You can [Dm]own the earth and [G]still, all you'll [Em]own is earth un-[F]til
You can [Am ring]paint with all the [Fmj7]colours F/G ring
of the [C]wind Am F Dm7/G // Cadd9 (ring5)

COUNTRY ROADS – John Denver  

LET OP: STAAT IN ANDERE TOONAARD  

G[]Almost heaven, [Em] West Virginia,
[D] Blue Ridge Mountains, [C]Shenandoah [G]River.
[G]Life is old there, [Em]older than the trees,
[D]younger than the mountains, [C]blowing like a [G]breeze. (ring)

Chorus:
Country [G]roads, take me [D]home, to the [Em]place I be-[C]long,
West Vir-[G]ginia, mountain [D]momma, take me [C]home, country [G]roads.

2. [G]All my mem'ries [Em]gather 'round her,
[D]Miner's lady, [C]stranger to blue water.
[G]Dark and dusty, [Em]painted on the sky,
[D]Misty taste of moonshine, [C]tear-drop in my [G]eye. (ring) CHORUS  

BRIDGE + CHORUS + CHORUS

[Em]I hear her [D]voice, in the [G]morning hours she calls me,
The [C]radio re-[G]minds me of my [D]home far away.
And [Em]driving down the [F]road I get the [C]feeling that I [G]should
have been home [D]yesterday, [D7]yesterday.

Een eigen huis – Rene Froger

DEFINITIEF met KIII
Lawaai / DRUM III III III III / Am ……..

[Am]Ik kan niet zeggen dat ik iets te kort kom
Geen [Em]idee geen benul wat de smaak van honger is
[F]Als ik geen zin heb om te koken
dan [E]loop ik even naar de markt voor een moot gebakken vis.

[Am]Als ik morgen geen zin heb om te werken
dan [Em]stel ik al het werk tot overmorgen uit.
[F]En als de kleuren van mijn huis me irriteren
dan [E]vraag ik of de buurman het vandaag nog overspuit

chorus (= 2x)
[C]Een eigen huis, een [G]plek onder de zon
en [Am]altijd iemand in de buurt die [G]van me houden kon.
Toch [F]wou ik dat ik net iets vaker,
[G]iets vaker simpelweg [Am]gelukkig was, [G]oohhh (repeat)

VERS 2
[Am]Ik kan niet zeggen dat ik iets te kort kom
Geen [Em]idee geen benul wat gebrek aan liefde is
[F]Vandaag kocht ik m'n derde videorecorder.
Van [E]nu af aan is er dus geen programma dat ik mis.

[Am]Mijn vader en mijn moeder zijn nog allebei in leven.
Dankzij [Em]hun heb ik een fijne jeugd gehad
[F]en voor dat jij en ik vanavond vroeg onder de wol gaan,
gaan we [E]met z'n tweeën drie keer uitgebreid in bad

chorus (x2)

BRIDGE
[F]Ja alles, [G]alles kan een [E]mens gelukkig [Am]maken.
Een [F]zingende merel, de [E]geur van de zee. [E] [E]
[F]Ja alles, [G]alles kan een [E]mens gelukkig [Am]maken.
De [F]zon die doorbreekt een [E]vers kopje thee

chorus (3x)

Ein bißchen Frieden (Nicole, 1982)

INTRO G D7 D7 G :]] G

[G]Wie eine Blume am [D(7)]Winterbeginn,
und so wie ein Feuer im [G]eisigen Wind
[G7]Wie eine Puppe, [C]die keiner mehr mag
[D7]fühl' ich mich an manchem [G]Tag

[G]Dann seh' ich die Wolken, die [D(7)]über uns sind
und höre die Schreie der [G]Vögel im Wind
Ich [G7]singe aus Angst vor dem [C]Dunkeln mein Lied
und [D7]hoffe, dass nichts ge-[G ring5]schieht.

Refr.
Ein bißchen [G]Frieden, ein bißchen [D7]Sonne für diese Erde, auf der wir [G]wohnen
Ein bißchen [G]Frieden, ein bißchen [D7]Freude, ein bißchen Wärme, das wünsch' ich [G]mir
Ein bißchen [G]Frieden, ein bißchen [D7]Träumen und dass die Menschen nicht so oft [G]weinen
Ein bißchen [G]Frieden, ein bißchen [D7]Liebe dass ich die Hoffnung nie mehr ver-[G]lier'

VERS
Ich [G]weiß, meine Lieder, die [D(7)]ändern nicht viel;
Ich bin nur ein Mädchen, das [G]sagt, was es fühlt
Al-[G7]lein bin ich hilflos, ein [C]Vogel im Wind
der [D7]spürt, dass der Sturm be-[G ring5]ginnt + Refr.

ENDE
[G]Sing mit [D]mir ein [D7]kleines [G]Lied
(Ein bißchen Frieden, ein bißchen Sonne; Für diese Erde, auf der wir wohnen)
[G]Dass die [D]Welt in [D7]Frieden [G]lebt
(Ein bißchen Frieden, ein bißchen Freude; Ein bißchen Wärme, das wünsch' ich mir)
[G]Singt mit [D]mir ein [D7]kleines [G]Lied
(Ein bißchen Frieden, ein bißchen Träumen und dass die Menschen nicht so oft weinen)
[G]Dass die [D]Welt in [D7]Frieden [G]lebt
(Ein bißchen Frieden, ein bißchen Liebe; Dass ich die Hoffnung nie mehr verlier')

Eres tu

W & M: Juan Carlos Calder ó n, 1972 (EV ’73)

Intro D A Bm Bm G D A D D

[D]Como una pro-[A]mesa, eres [G]tú, eres [ Dr . C G]tú
[D]Como una ma[A]ñana de ve-[G]ra-[A]no
[D]Como una son-[A]risa, eres [G]tú, eres [ D . . G]tú
A-[D]sí, a-[A11]sí, eres [D]tú. Cr Gr

[D]Toda mi espe-[A]ranza, eres [G]tú, eres [ Dr . C G]tú
[D]Como lluvia [A]fresca en mis [G]ma-[A]nos
[D]como fuerte [A]brisa, eres [G]tú, eres [ D . . G]tú
A-[D]sí, a-[A11]sí, eres [D]tú [A11]

[D]E-[A]res [Bm]tú como el [G]agua [E]de mi [D]fuen-[A]te
(Algo así eres tú)
[A]E-[A7]res [D]tú [G]el fuego [D]de [A7]mi ho-[D]gar G/A
[D]E-[A]res [Bm]tú como el [G]fuego [E]de mi ho-[D]gue-[A]ra
[A]E-[A7]res [D]tú [G]el trigo [D]de [A7]mi [D]pan [A11] [D] [A11]

VERS 3
[D]Como mi [A]poema, eres [G]tú, eres [ Dr . C G]tú
[D]Como una gui-[A]tarra en la [G]no-[A]che
[D]todo mi hori-[A]zonte eres [G]tú, eres [ D . . G]tú
A-[D]sí, a-[A11]sí, eres [D]tú [A11]

[D]E-[A]res [Bm]tú como el [G]agua [E]de mi [D]fuen-[A]te
(Algo así eres tú)
[A]E-[A7]res [D]tú [G]el fuego [D]de [A7]mi ho-[D]gar G/A
[D]E-[A]res [Bm]tú como el [G]fuego [E]de mi ho-[D]gue-[A]ra
[A]E-[A7]res [D]tú [G]el trigo [D]de [A7]mi [G]pan [D] [G] [A]

Eres [D]tú...

Have I Told You Lately

W & M by Van Morrison - Slowly
GEWIJZIGDE AKKOORDEN KLEM III

INTRO
C Em7 Fmj7 F/G C Em7 F F/G
Fmj7 Fmj7 Em7 Em7 Dm7 F/G C F/G

VERS 1

Have I [C]told you [Em7]lately that I [F]love you? [F/G]
Have I [C]told you [Em7]there's no one (else) a-[F]bove you? [F/G]
[Fmj7]Fill my heart with gladness,
[Em7]take away all my sadness,
[Dm7]ease my [F/G]troubles that's what you [C]do. [F/G]

VERS 2
For the [C]morning [Em7]sun in all it's [F]glory [F/G]
greets the [C]day with [Em7]hope and comfort, [F]too. [F/G]
[Fmj7]You fill my life with laughter [Em7]and somehow you make it better,
[Dm7]ease my [F/G]troubles that's what you [C]do. [ Dm7 C/E]

Chorus:
[Fmj7]There's a love that's divine
and it's yours and it's mine....like the [Em7]sun. [ Em7 . . Dm7 Em7]
[Fmj7]And at the end of the day
we should give thanks and pray to the [Em]one, to the [F/G]one.

INTRO (zie boven)

VERS 2. (zie boven)

CHORUS: zie boven

OUTRO
And have I [C]told [Em7]lately that I [F]love [F/G]you?
Have I [C]told you [Em7]there's no one else a-[F]bove [F/G]you?
[Fmj7]You fill my heart with gladness,
[Em7]take away all my sadness,
[Dm7]ease my [F/G]troubles that's what you [C]do. [Dm7 C/E]
[Fmj7]Take away all my sadness,
[Em7]fill my life with gladness,
[Dm7]ease my [F/G]troubles that's what you [C]do. [ Dm7 C/E]
[Fmj7]Take away all my sadness,
[Em7]fill my heart with gladness, PAS OP
[Dm7 RING]ease my [F/G RING]troubles
that's what you [C RRRRRR ING]do......

HEAL THE WORLD - (Michael Jackson)

(Or. KII)(0:45) "Think about the generations and they say: We want to make it a better place for our children and our children's children. So that they know it's a better world for them; and think if they can make it a better place." ( 1:04)

INTRO G C/A D/B Am7/D (x2)
There's a [G]place in your [C/A]heart and I [D/B]know that it is [Am7/D]love,
and this [G]place could be much [C/A]brighter than to-[D/B]morrow. [Am7/D]
And if [G]you really [C/A]try, you'll find [D/B]there's no need to [Am7/D]cry,
in this [G]place you'll feel [C/A]there's no hurt or sor-[D/B]row. [Am7/D]
There are [Am]ways to [Bm]get there, if you [C]care enough for the [Bm]living.
Make a [Am]little space, make a [Dsus]better pla[D7ring]ce.

REFREIN
Heal the [G]world, make it a [Am]better place
For [Dsus4]you and for [D]me and the [G]entire human race. ([/F#]
There are [Em]people [Bm/D]dying. If you [C]care enough for the [Bm]living,
Make a [Am]better place for [D]you and for [G]me. C/A D/B Am7/D

VERS 2
If you [G]want to know [C/A]why there's a [D/B]love that cannot [Am7/D]lie.
Love is [G]strong, it only [C/A]cares for joyful [D/B]giving. [Am7/D]
If we [G]try, we shall [C/A]see, in this [D/B]bliss we cannot [Am7/D]feel,
fear or [G]dread, we stop ex-[C/A]isting and start [D/B]living. [Am7/D]
Then it [Am]feels that al-[Bm]ways [C]love's enough for us [Bm]growing.
Make a [Am]better world, make a [Dsus4]better world[D7 ring].

REFREIN
Heal the [G]world, make it a [Am]better place
For [Dsus4]you and for [D]me and the [G]entire human race. ([/F#]
There are [Em]people [Bm/D]dying. If you [C]care enough for the [Bm]living,
Make a [Am]better place for [D]you and for [G >> BRIDGE]me.

BRIDGE
And the [F]dream we were conceived in will reveal a [G]joyful face
And the [F]world we once believed in will shine a-[G]gain in grace
Then [Em]why do we keep [Bm]strangling life
Wound this [Am]earth, crucify it's [Bm]soul
Though it's [Am]plain to see, this world is heavenly.
[C ring]Be [C ring]God's [D ring]glow!

VERS 3
We could [G]fly so [C/A]high, and our [D/B]spirits never [Am7/D]die.
In my [G]heart I feel [C/A]you are all my [D/B]brothers. [Am7/D]
Create a [G]world with no [C/A]fear, together [D/B]we'll cry happy [Am7/D]tears,
see the [G]nations turn their [C/A]swords into [D/B]plowshares. [Am7/D]
We could [Am]really [Bm]get there, if you [C]cared enough for the [Bm]living.
Make a [Am]little space, to make a [Dsus4]better pla-[D7 ring]ce.

REFREIN
Heal the [G]world, make it a [Am]better place
For [Dsus4]you and for [D]me and the [G]entire human race. ([/F#]
There are [Em]people [Bm/D]dying. If you [C]care enough for the [Bm]living,
Make a [Am]better place for [D]you and for [G]me.

REFREIN (1 t. HOGER, KLEM + II)

REFREIN (NOG 1 t. HOGER, nog eens + II)

DAN DIT STUK 3 KEER
There are [Em]people [Bm]dying. If you [C]care enough for the [G]living,
Make a [Am]better place for [D]you and for [G]me.

[Am7/D]You and for [G]me (Make a better place)
[Am7/D]You and for [G]me (Heal the world we live in)
[Am7/D]You and for [G]me (Save it for our children)...

Heaven (Brian Adams) in G

Klem op V of andere akkoorden

Intro: | G | Em | G | C … | G | Em | G | C(ring)

[G]Oh, [Em]thinking about those [D]younger years.
There was [Am]only you and [Em]me,
we were [F]young and wild an [D]free.
[G]Now [Em]nothing can take you a-[D]way from me.
We’ve been [Am]down that road be-[Em]fore,
But that’s [F]over no-[C]ow, you keep [D ring 3]coming back for more.

REFREIN

[C]Baby, you’re [D]all that I [Em]want, when you’re [G]lying here in my [C]arms.
I’m [C]finding it [D]hard to be-[Em]lieve we’re in [D]heaven.
And [C]love is [D]all that I [Em]need, and I [G]found it there in your [C]heart,
It [C]isn’t too [D]hard to [Em]see we’re in [D]heaven

Intro: | G | Em | G | C(ring)

VERS 2
[G]Oh, [Em]once in your life you [D]find someone,
Who will [Am]turn your world a-[Em]round,
[F]bring you up when you’re feeling [D]down.
[G]Yeah, [Em]nothing could change what you [D]mean to me,
Oh, there’s [Am]lots that I could [Em]say, just [F]hold me now [C]
‘cause our [D ring3]love will light the way. DAN REFREIN.

BRIDGE
[Am]I’ve been waiting for so [C]long,
for something to ar-[G]rive, for love to come a-[D..Em]long
[Am]Now our dreams are coming [C]true,
Through the good times and the [G]bad,
yeah, I’ll be [D ring 3]standing there by you.

REFREIN ZONDER TEKST

REFREIN MET TEKST

INTRO | G | Em | G | C...| G | Em | G | C... + |G ring

Heaven (Brian Adams) in C

Intro: | C | Am | C | F … | C | Am | C | F(ring)

[C]Oh, [Am]thinking about those [G]younger years.
There was [Dm]only you and [Am]me,
we were [Bb]young and wild an [G]free.
[C]Now [Am]nothing can take you a-[G]way from me.
We’ve been [Dm]down that road be-[Am]fore,
But that’s [Bb]over no-[F]ow, you keep [G ring 3]coming back for more.

REFREIN
[F]Baby, you’re [G]all that I [Am]want, when you’re [C]lying here in my [F]arms.
I’m [F]finding it [G]hard to be-[Am]lieve we’re in [G]heaven.
And [F]love is [G]all that I [Am]need, and I [C]found it there in your [F]heart,
It [F]isn’t too [G]hard to [Am]see we’re in [G]heaven

Intro: | C | Am | C | F(ring)

VERS 2
[C]Oh, [Am]once in your life you [G]find someone,
Who will [Dm]turn your world a-[Am]round,
[Bb]bring you up when you’re feeling [G]down.
[C]Yeah, [Am]nothing could change what you [G]mean to me,
Oh, there’s [Dm]lots that I could [Am]say, just [Bb]hold me now [F]
‘cause our [G ring3]love will light the way. DAN REFREIN.

BRIDGE
[Dm]I’ve been waiting for so [F]long,
for something to ar-[C]rive, for love to come a-[G..Am]long
[Dm]Now our dreams are coming [F]true,
Through the good times and the [D]bad, yeah,
I’ll be [G ring 3]standing there by you.

REFREIN ZONDER TEKST

REFREIN MET TEKST

INTRO | C | Am | C | F ... | C | Am | C | F ... + |C ring

HET IS EEN NACHT (Guus Meeuwis)

INTRO: | Em | C | G | D .. | Em | C | G | D ring

LET OP: NO CHORD

Je [Em]vraagt of ik zin heb in een [C]sigaret.
’t Is [G]twee uur ’s nachts, we [D]liggen op bed in een
[Em]hotel, in een stad waar [C]niemand ons hoort,
waar [G]niemand ons kent en D[]niemand ons stoort.

Op de [C]vloer ligt een [G]lege fles wijn
en [D]kledingstukken die van jou of mij kunnen zijn.
Een [C]schemering, de [G]radio zacht.
En deze [C]nacht heeft alles wat ik van een [D ring9]nacht verwacht.

REFREIN

Het is ‘n [G]nacht die je nor-[D]maal alleen in [Em]films [C]ziet.
Het is een [G]nacht die wordt be-[D]zongen in het [Em]mooiste [C]lied.
Het is een [G]nacht waarvan ik [D]dacht dat ik ‘m [Em]nooit beleven [C]zou.
Maar van-[G]nacht beleef ik []D ‘m met [Em]jou. [C] [G] [D ring5]

VERS 2
Ik ben nog [Em]wakker en ik [C]staar naar het plafond
en [G]denk aan hoe de dag lang ge-[D]leden begon.
Het [Em]zomaar er van-[C]door gaan met jou,
niet [G]wetend waar de reis [D]eindigen zou.

Nu [C]lig ik hier in een [G]wildvreemde stad
en [D]heb net de nacht van mijn leven gehad.
Maar he-[C]laas er komt weer [G]licht door de ramen
Hoe-[C]wel voor ons de wereld van-[D ring9]nacht heeft stil gestaan. REFREIN

BRIDGE
Maar een [C]lied blijft slechts bij woorden, de [G]film is in scène g-]D]zet.
Maar [C]deze nacht met jou is [G]levens-[D ring5]echt.

REFREIN (2 lijnen A CAPELLA = NC, nog 2 lijnen spelen)

CODA
Ja, van-[G]nacht beleef ik [D]hem met [Em]jou (hoho-[C]hohohoho)
En ik [G]hou al-[D]leen nog maar van [Em]jou (hoho-[C ring]ho),
en ik [G ring]hou al-[D ring]leen nog maar van jou. [G ringringringring, doe maar]

Het kleine café aan de haven
Vader Abraham / T&M: Pierre Kartner

Gebruikte akkoorden: Gm / D7 / Cm / C / G
Deze worden omgezet: Em / B7 / Am / A / E (met klem op III)

De [Gm] avondzon valt over straten en pleinen, de gouden zon zakt in de [D7] stad
En [D7] mensen die moe in hun huizen verdwijnen,
ze hebben de dag weer ge- [Gm] had
De [Gm] neonreclame die knipoogt langs ramen,
het [G(7)] motregent zachtjes op [Cm] straat.
De [Cm] stad lijkt gestorven, toch [Gm] klinkt er muziek
in een [D7] deur die nog wijd open [G (ZEKER NIET MINEUR)] staat. (en RING).

Daar in dat [G]kleine cafe aan de haven,
daar zijn de mensen gelijk en [D7]tevree
Daar in dat [C]kleine cafe aan de [G]haven,
daar telt je [D7]geld of wie je bent niet meer [Gm tokkel]mee

VERS 2
De [Gm]toog is van koper, toch ligt er geen loper,
de voetbalclub hangt aan de [D7]muur
De [D7]trekkast die maakt meer lawaai dan de juke-box,
een pilsje dat is d'r niet [Gm]duur.
Een [Gm]mens is daar mens, rijk of arm - 't is daar warm,
geen [G(7)]monsieur of madam maar [Cm]WC
Maar het [Cm]glas is gespoeld in het [Gm]helderste water,
ja, het [D7]is daar een heel goed [G en ring]café. Refr.

VERS 3
De [Gm]wereldproblemen die zijn tussen
twee glazen bier opgelost voor al-[D7]tijd
Op de [D7]rand van een bierviltje staat daar je rekening,
of je staat in het [Gm]krijt.
Het [Gm]enige wat je aan eten kunt krijgen,
dat [G(7)]is daar een hardgekookt [Cm]ei.
De [Cm]mensen die zijn daar ge-[Gm]lukkig gewoon,
ja, de [D7]mensen die zijn daar nog [G en ring]rijk

3 KEER REFREIN, ALTIJD EINDIGEN OP G

| G | G | G | G ….. | G | G | D7 | D7

| C | C | G | G ….. | D7 | D7 | G | G

The House of the Rising Sun in Em

Intro | Em | G | A | C . . | Em | B7 | Em | B7

There [Em]is a [G]house in [A]New Or-[C]leans
they [Em]call the [G]Rising [B7]Sun
Its [Em]been the [G]ruin of [A]many a poor [C]boy
And [Em]God I [B7]know, I'm [Em]one. [B7]

| Em | G | A | C . . | Em | G | B7 | B7
| Em | G | A | C . . | Em | B7 | Em | B7
My mother was a tailor
She sewed my new blue jeans
My father was a gamblin' man
Down in New Orleans

Now the only things a gambler needs
is a suitcase and a trunk
and the only time he's feeling satisfied
is when he's on a drunk

Now mothers, Tell your children
Not to do what I have done
And spend your life in sincere misery
in the House of the Rising Sun

There [Em]is a [G]house in [A]New Or-[C]leans
they [Em]call the [G]Rising [B7]Sun. [B7]
It’s [Em]been the [G]ruin of [A]many a poor [C]boy
And [Em]God I [B7]know, I'm [Em]one. [Em] [Em] [Em ring]

KampVuur Drunken Sailor

STRUCTUUR Dm… C… Dm… C.Am. Dm…

[Dm]What shall we do with the drunken sailor,
[C]what shall we do with the drunken sailor?
[Dm]What shall we do with the drunken sailor,
[C]early [Am]in the [Dm]morning?

[Dm]Hurray and up she rises
[C]Hurray and up she rises
[Dm]Hurray and up she rises
[C]earley [Am]in the [Dm]morning

VERS 2 Pull out the plug and wit him all over
VERS 3 Put him in the long-boat till he gets sober
VERS 4Put him in the scuppers with a hose-pipe on him
VERS 5 Heave him by the leg in a running bowlin’
VERS 6 That’s what we’ll do with the drunken sailor

KampVuur Woutertje

REFREIN
[D]Oh, [A]die [D]Woutertje, Wouterje, wiede wiede wiede [A]woep.
[A]Piepklein kaboutertje komt als ik [D]roep.
[D]Woutertje, Woutertje, piepklein ka-[G]boutertje,
[G]wiede wiede wiede [D]woep, [A]komt als ik [D]roep.

VERS 1
Ik [D]ken hem al jaren en nooit geeft ie [A]last.
Hij [A]woont in een trommeltje onder de [D]kast.
En ’s [D]morgens om 7 uur hoor je ge-[G]luid,
dan [G]roept ie om [D]eten, dan [A]wil ie er [D]uit. REFR

VERS 2
Ik [D]zag hem voor ’t eerst op de mat in de [A]gang.
Ik [A]zei: “goeie morgen, ben jij hier al [D]lang?”
Hij [D]zei: “nou, ik denk een minuutje of [G]vijf.
Maar ‘k [G]vind je wel [D]aardig, ik [A]denk dat ik [D]blijf”. REFR.

VERS 3

Hij [D]is reuze aardig. Wij hebben veel [A]pret.
Maar ’s [A]avonds om zeven uur moet ie naar [D]bed.
Hij [D]trekt zijn piamaatje aan van ka-[G]toen.
Dan [G]rolt ie zijn [D]baard op en [A]krijgt nog een [D]zoen. REFR.

KampVuur You are my sunshine

You are my [D]sunshine, my only sunshine.
You make me [G]happy when skies are [D]grey.
You’ll never [G]know dear how much I [D]love you.
Oh, please don’t [D]take my [A]sunshine a-[D]way.

The other [D]night, dear, when I was sleeping,
I dreamed I [G]held you in my [D]arms.
But when I [G]waked up, I was mis-[D]taken.
So I laid [D]down my [A]head and I [D]cried: You are ..

Kom van dat dak af (Peter Koelewijn)

REFREIN
Kom van dat [G]dak af, 'k waarschuw niet meer.
Nee, nee, nee, nee, nee, nee
van dat [C]dak af, 'k waarschuw niet [G]meer.
Kom van dat [D7]dak af, [C]dit was de laatste [G r r r r]keer [.DDDDDDD]

Jan [G r..r..r.]Janssen zijn vrouw, zij was een koorddanseres,
bij gebrek aan een touw klom ze [(G7]op het bordes
Het [C]eten werd koud en Jan Janssen werd heet,
en in de [D r r r r ]straat weerklonk zijn [D7 RING]kreet. + REFR.

VERS 2
Jan [G r..r..r.]Janssen werd kwaad, en zei: aan is de boot,
kom van dat dak af of je [(G7]gaat in de goot.
Maar zijn [C]vrouw schrok zich wild en was ten einde raad,
toen weer-[D r r r r ]klonk het in de [D7 RING]straat + REFR.

SOLO (sax)
| G | G | C | G . . | D | C | G r r r r | .DDDDDDD |

Strofe 1 + Refr. + ENDING

Lemon tree (Fool’s garden)

Intro: |Am | Em |Am | Em ||Dm | Em | Am..Em | Am STOP = KLOP |

I'm [Am]sitting here in the [Em]boring room.
It's [Am]just another rainy sunday [Em]afternoon.
I'm [Am]waisting my time I got [Em]nothing to do.
I'm [Am]hanging around I'm [Em]waiting for you
But [Dm]nothing ever happens, [Em]and I [Am..Em]wonder [Am STOP=KLOP]

VERS 2
I'm [Am]driving around [Em]in my car,
I'm [Am]driving too fast I'm [Em]driving too far.
I'd [Am]like to change my [Em]point of view.
I [Am]feel so lonely I'm [Em]waiting for you.
But [Dm]nothing ever happened, [Em]and I [Am.. Em]wondered. [Am STOP=KLOP]

Refr:
I [C]wonder how I [G]wonder why, [Am]yesterday you told me 'bout the [Em]blue blue sky
And [F]all that I can [G]see is just a [C]yellow lemon [G(7)]tree
I'm [C]turning my head [G]up and down I'm [Am]turning (4X) [Em]turning around
And [F]all that I can [D7]see is just another [G]lemon tree [G(7)]

Intro: |Am | Em |Am | Em ||Dm | Em | Am..Em | Am STOP = KLOP |

VERS 3
I'm [Am]sitting here I [Em]miss the power, I'd [Am]like to go out [Em]taking a shower
But [Am]there's a heavy cloud in-[Em]side my head, I [Am]feel so tired put my-[Em]self into bed
Well, [Dm]nothing ever happens, [Em]and I [Am..Em]wonder. [Am STOP=KLOP]

Bridge:
[E(7)] Isolation - [Am]is not good for me
[G] Isolation - [C ring]I don't want to [E(7) ring] sit on a lemon tree

VERS 4

I'm [Am]stepping around in the [Em]desert of joy, [Am]baby anyhow I'll get a-[Em]nother toy
And [Dm]everything will happen [Em]and you'll [Am..Em]wonder [Am STOP=KLOP]

Refr X2
I [C]wonder how I [G]wonder why, [Am]yesterday you told me 'bout the [Em]blue blue sky
And [F]all that I can [G]see is just a [C]yellow lemon [G(7)]tree
I'm [C]turning my head [G]up and down I'm [Am]turning (4X) [Em]turning around LET OP: 2-de X CODA
And [F]all that I can [D7]see is just another [G]lemon tree [G(7)] (LET OP: HERHAAL)

CODA:
And [F[ all that I can [G] see
And [F[ all that I can [G] see
And [F[ all that I can [G RING]
Is just another [C ring5] lemon tree.

Let it be (The Beatles)

LET IT BE – The Beatles (performance on the Proms in Antwerp)

INTRO PIANO: C | Bm Am | G | F Em | D | C | G (x2)

When I [G]find myself in [D]times of trouble,
[Em]Mother Mary [C]comes to me
[G]speaking words of [D]wisdom, let it [C]be. [G]

And [G]in my hour of [D]darkness,
she is [Em]standing right in [C]front of me,
[G]speaking words of [D]wisdom, let it [C]be. [G]

Let it [Em]be, let it [D]be, let it [C]be, let it [G]be,
[G]speaking words of [D]wisdom, let it [C]be. [G]

VERS 2
And [G]when the broken-[D]hearted people
[Em]living in the [C]world agree,
[G]there will be an [D]answer, let it [C]be. [G]

For [G]though they may be [D]parted,
there is [Em]still a chance that [C]they will see,
[G]there will be an an-[D]swer, let it [C]be. [G]

Let it [Em]be, let it [D]be, let it [C]be, let it [G]be,
[G]there will bee an an-[D]swer, let it [C]be. [G]

TUSSENSPEL = INTRO C | Bm Am | G | F Em | D | C | G (x2)

Instrumentaal
G D Em C G D C G
G D Em C G D C G

Let it [Em]be, let it [D]be, let it [C]be, let it [G]be,
[G]there will bee an an-[D]swer, let it [C]be. [G]

VERS 3
And [G]when the night is [D]cloudy,
there is [Em]still a light that [C]shines on me,
[G]shine until to-[D]morrow, let it [C]be. [G]

I [G]wake up to the [D]sound of music,
[Em]Mother Mary [C]comes to me,
[G]speaking words of [D]wisdom, let it [C]be. [G]

Let it [Em]be, let it [D]be, let it [C]be, let it [G]be,
[G]speaking words of [D]wisdom, let it [C]be. [G]

Smurfenlied – Vader Abraham

Speciaal voor ons kleintje LB

[G]Waar komen jullie [C]toch van-[G]daan, [G]waar de smurfen-[D7]huisjes [G]staan.
[G]Hebben jullie ook een [C]eigen [G]taal, [G]ja, die smurfen wij [D7]alle-[G]maal.
[G]Doen jullie iets wat [C]wij niet [G]durven, [G]ja, want wij zijn [D7]echte smur[G]fen.
[G]Dit is een lied met een [C]leuk re-[G]frein, [G]jullie zijn groot en [D7]wij zijn [G]klein.

G G G D7 D7 D7 D7 G
G G G(7) C C G D7 G
REFREIN De fluitsmurf begint!
Tuut, tuut, tutututu, tuut, tuut, etc.
Ja zing maar na!
La, la, lalalala, la, ...
En nu de tweede stem!
La, la, lalalala, la, ...
En nu allemaal!
la, la, lalalala, la, ...

VERS 2
[G]Kunnen jullie door een [C]water-[G]kraan? Wij kunnen door een [D7]water-[G]kraan!
[G]En ook door een [C]sleutel-[G]gat? Ja, ook door een [D7]sleutel-[D7]gat!
[G]Kunnen jullie op een [C]blokfluit [G]spelen! Ja, daar kunnen wij [D7]ook op [G]spelen!
[G]Vinden smurfen [C]dansen [G]fijn? Ja, maar alleen op [D7]dit re-[G]frein!

La, la, lalalala, la,...
- He, wie is daar verkeerd aan het smurfen!
- He, zing eens netjes mee! Yes, Sir!

VERS 3
[G]Waarom zijn de [C]smurfen [G]klein? Omdat jullie [D7]groter [G]zijn!
[G]Gaan jullie met die [C]muts naar [G]bed? Ja, die wordt niet [D7]afge-[G]zet!
[G]Gaan jullie net als [C]wij ook [G]slapen? Nee, wij moeten [D7]driemaal [G]gapen!
[G]Wat is jullie [C]grootste [G]wens? Smurfen maar dat [D7]snapt geen [G]mens!

La, la, lalalala, la, ...

Under the Sea, beg
U it The Little Mermaid (Howard Ashman / Alan Menken)

Oorspronkelijke starttoonaard Bb (dus KIII), maar wij doen het zonder klem.

Intro: | G | D7 G | G | D7 G | (x2) nono o o / n n n n / nono o o / n n n DEMP

[G]The seaweed is [D7] always [G] greener in somebody [D7] else’s [G] lake.
[G] You dream about [D7] going [G] up there, but that is a [D7] big mis- [G] take.
[C] Just look at the [G] world around you, [D7] right here on the [G] ocean floor.
[C] Such wonderful [G] things surround you. [D7] What more is you [G] lookin' for? [G ring]

Under the [C] sea, [G] under the [D7] sea. [G]
Darling it’s [C] better down where it’s [D] wetter. Take it from [G] me. [G(7)]
Up on the [C] shore they work all [D] day. Out in the [Em] sun they slave a- [A(7)] way.
While we de- [C] votin' full time to [D7] floatin' under the [INTRO] sea.

Intro: | G | D7 G | G | D7 G |

[G]Down here all the [D7]fish is [G]happy, as off through the [D7]waves they [G]roll.
[G]The fish on the [D7]land ain’t [G]happy. They sad 'cause they [D7]in a [G]bowl.
[C]But fish in the [G]bowl is lucky, [D7]they in for a [G]worser fate.
[C]One day when the [G]boss get hungry [D7]guess who's gon' be on the [G]plate. [G ring]

Under the [C]sea, [G]under the [D7]sea. [G]
Nobody [C]beat us, fry us and [D]eat us in fracas-[G]see. [G(7)]
We what the [C]land folks loves to [D]cook. Under the [Em]sea we off the [A(7)]hook.
We got no [C]troubles, life is the [D7]bubbles under the [C]sea, [G]under the [D7]sea. [G]
Since life is [C]sweet here, we got the [D]beat here natural-[G]ly. [G(7)]
Even the [C]sturgeon an' the [D]ray, they get the [Em]urge 'n' start to [A7]play.
We got the [C]spirit, you got to [D7]hear it under the [INTRO G]sea [D7 G]

The [D]newt play the flute. The [G]carp play the harp.
The [D]plaice play the bass. And they’re [G]soundin' sharp.
The [C]bass play the brass. The [G]chub play the tub.
The [D]fluke is the duke of [G]soul (Yeah).
The [D]ray he can play. The [G]lings on the strings.
The [D]trout rockin' out. The [G]blackfish she sings.
The [C]smelt and the sprat, they [G]know where it’s at.
An' oh that [D]blowfish [G]blow.

(UNDER) C G D7 G C D7 G G C D7 Em A7 C D7

INTRO G D7 G (x2)

PLOTS INTRO MET KII (zonder klem: zie verder) |G | D7 G |G |G

Under the [C]sea. [G]Under the [D]sea. [G]
When the sar-[C]dine begin the be-[D]guine, it's music to [G]me.
[G(7)]What do they [C]got? A lot of sand.
[D]We got a [Em]hot crustacean [A7]band.
Each little [C]clam here know how to [D7]jam here under the [G]sea.
[D7 G]Each little [C] slug here cuttin' a [D] rug here under the [G intro] sea [ D7 G]
Each little [C] snail here know how to [D] wail here
That's why it’s [Em] hotter under the [A7] water.
Ya we in [C] luck here down in the [D7] muck here under the [G intro] sea!!
[ D7 G ] [G] [ D7 G ]

Under the Sea, gevorderden
U it The Little Mermaid (Howard Ashman / Alan Menken)

Oorspronkelijke starttoonaard Bb (dus KIII), maar wij doen het zonder klem.

Intro: | G | D7 G | G | D7 G | (x2) nono o o / n n n n / nono o o / n n n DEMP

[G]The seaweed is [D7] always [G] greener in somebody [D7] else’s [G] lake.
[G] You dream about [D7] going [G] up there, but that is a [D7] big mis- [G] take.
[C] Just look at the [G] world around you, [D7] right here on the [G] ocean floor.
[C] Such wonderful [G] things surround you. [D7] What more is you [G] lookin' for? [G ring]

Under the [C] sea, [G] under the [D7] sea. [G]
Darling it’s [C] better down where it’s [D] wetter. Take it from [G] me. [G(7)]
Up on the [C] shore they work all [D] day. Out in the [Em] sun they slave a- [A(7)] way.
While we de- [C] votin' full time to [D7] floatin' under the [INTRO] sea.

Intro: | G | D7 G | G | D7 G |

[G]Down here all the [D7]fish is [G]happy, as off through the [D7]waves they [G]roll.
[G]The fish on the [D7]land ain’t [G]happy. They sad 'cause they [D7]in a [G]bowl.
[C]But fish in the [G]bowl is lucky, [D7]they in for a [G]worser fate.
[C]One day when the [G]boss get hungry [D7]guess who's gon' be on the [G]plate. [G ring]

Under the [C]sea, [G]under the [D7]sea. [G]
Nobody [C]beat us, fry us and [D]eat us in fracas-[G]see. [G(7)]
We what the [C]land folks loves to [D]cook. Under the [Em]sea we off the [A(7)]hook.
We got no [C]troubles, life is the [D7]bubbles under the [C]sea, [G]under the [D7]sea. [G]
Since life is [C]sweet here, we got the [D]beat here natural-[G]ly. [G(7)]
Even the [C]sturgeon an' the [D]ray, they get the [Em]urge 'n' start to [A7]play.
We got the [C]spirit, you got to [D7]hear it under the [INTRO G]sea [D7 G]

The [D]newt play the flute. The [G]carp play the harp.
The [D]plaice play the bass. And they’re [G]soundin' sharp.
The [C]bass play the brass. The [G]chub play the tub.
The [D]fluke is the duke of [G]soul (Yeah).
The [D]ray he can play. The [G]lings on the strings.
The [D]trout rockin' out. The [G]blackfish she sings.
The [C]smelt and the sprat, they [G]know where it’s at.
An' oh that [D]blowfish [G]blow.

(UNDER) C G D7 G C D7 G G C D7 Em A7 C D7

INTRO G D7 G (x2)

PLOTS INTRO zonder klem voor gevorderden |A | E7 A |A |A

Under the [D]sea. [A]Under the [E]sea. [A]
When the sar-[D]dine begin the be-[E]guine, it's music to [A]me.
[A(7)]What do they [D]got? A lot of sand.
[E]We got a [F#m]hot crustacean [B7]band.
Each little [D]clam here know how to [E7]jam here under the [A]sea.
[E7 A]Each little [D] slug here cuttin' a [E] rug here under the [A intro] sea [ E7 A]
Each little [D] snail here know how to [E] wail here
That's why it’s [F#m] hotter under the [B7] water.
Ya we in [D] luck here down in the [E7] muck here under the [A intro] sea!!
[ E7 A ] [A] [ E7 A ]

Vlaanderen boven (Raymond VhG)

INTRO

Waar er [G]mossel met frit is, en ook [Em]kip aan het spit is,
waar de [G]kerk in het midden [Em]staat
Waar het [G]geld in het zwart vloeit, waar de [Em]purperen hei bloeit,
waar men [A]nauwelijks Nederlands [D]praat

Waar een di-[G]ploma geen zin heeft en de [Em]koning geen kind heeft,
waar de [G]schuimwijnkoningin defi-[Em]leert
Waar het [G]volk goedlachs is en een [Em]vuist zonder kracht is
Waar men [A]faalt en aan de [D]toog expli-[G ring 5]ceert

Refrein
Vlaanderen [C]boven, waar men de Heer nog kan [G]loven
Waar de mensen be-[D]langrijk zijn en de buiken om-[G ring5]vangrijk zijn
Vlaanderen [C]buiten, waar Vlaamse vogeltjes [G]fluiten
Vlaanderen mijn [D]land bij het Noordzee-[G C]strand [G]

Vers 2
Waar de [G]kleurenbuis grijs is en een [Em]schroef nog vijs is,
waar de [G]rijkswacht goed functio-[Em]neert
Waar een [G]pik een houweel is en geen [Em]pintje te veel is;
Francis [A]Bay 't orkest diri-[D]geert

Waar een [G]g soms een h is, AV[Em]V VVK is,
Waar de [G]Chiro paraat staat en de [Em]vrouw aan de vaat staat,
Waar de [G]camera traag gaat, de pre-[Em]mier nogal vaak praat,
de va-[A]kantie naar [D]Spanje [G ring5]wijst + Refr.

SOLO (Strofe) VALT WEG

BRIDGE
De [C]Kemmelberg, het [G]Gravensteen, de [C]Koekelbergbasi-[G]liek,
De [C]waterzooi, het [G]meisje in het hooi, de [A]Vlaamse roman-[DADA]tiek [D STOP]

Refr. + G (rrrrrrrr)

Walking on Sunshine

HOOFDSTRUCTUUR: G C D C

oh! Ohhh yeeeh
I used to think maybe you loved me now Lord that is true
And I just can wait till the day when You knock on my door
Now every time I go for the mailbox, gotta hold myself down
Cos I just can wait till You write me are coming around

STRUCTUUR REFREIN D D C C (x3)
en dan terug: G C D C
I’m walking on [D]sunshine : woo[C]ah (all)
I’m walking on [D]sunshine : woo[C]ah (all)
I’m walking on [D]sunshine : woo[C]ah (all)
and don’t it feel good! (all)
Hey, alright now
and don’t it feel good! (all)
mmmh yea yea
and don’t it feel good! (all)

VERS 2
I used to think maybe You loved me, now I know that is true
and I don’t want to spend all my life, just in waiting for You
Now I don’t want You back for the weekend not back for a day, no no no
I said Lord I just want You back and I want You to stay

Refrein:

Idem voorgaande

walking on sunshine – walking on sunshine
I feel the love I feel the love I feel the love that really real
… …herhaal … … ….

I’m on sunshine Lord oh
I’m on sunshine Lord oh

Refrein:
Idem voorgaande maar we blijven nu … and don’t it feel good…
doorzingen tot het nummer gedaan is Els freewheelt tot het gedaan is

What`s up - 4 Non Blondes

Intro : | G | Am | C | G | G | Am | C | G

couplet
[G]25 years of my life and still, [Am]tryin' to to get up
that great big hill of [C]hope, for a desti-[G]nation.
I [G]realized quickly when I knew I should ,
that the [Am]world was made up of this brotherhood
Of [C]man, for whatever that [G]means.

couplet
And so I [G]cry sometimes, when I'm lying in bed
just to [Am]get it all out, what's in my head,
And [C]I, I really am, a little pe-[G]culiar.
And so I [G]wake in the morning, and I step outside
and I [Am]take a deep breath, and I get real high, and
[C]I, scream from the top of my [G]lungs, "What's going on?"

Refrain x 2
And I say, [G]"Hey yeah yeah hey, [Am]hey yeah yeah.".
I said, [C]"Hey, what's going [G]on?"

Instr. : | G | Am | C | G | G | Am | C | G

couplet
And I [G]try, oh my God, do I try, I try all the time, in this institution.
And I pray, oh my God, do I pray, I pray every single day, for a revolution.

couplet
And so I cry sometimes, when I'm lying in bed, just to get it all out, what's in my head,
And I, I really am, a little peculiar.
And so I wake in the morning, and I step outside and I take a deep breath, and I get real high, and
I, scream from the top of my lungs, "What's going on?"

Refrain
And I say, [G]"Hey yeah yeah hey, [C]hey yeah yeah.".
I said, [Am]"Hey, what's going [G]on?"
And I say, [G]"Hey yeah yeah hey, [C]hey yeah yeah.".
I said, [Am]"Hey, what's going [G START SHUFFLE]on?" DRUM STOP

couplet
[G]25 years of my life and still,
[Am]tryin' to to get up that great big hill of
[C]hope, for a desti-[G ring)]nation.

Wonderfull Tonight (Eric Clapton)

Intro: G D C D .. G D C D

[G]It’s late in the [D]evening; [C]she’s wond’ring what [D]clothes to wear.
[G]She puts on her [D]make-up [C]and brushes her [D]long blonde hair.
[C]And then she [D]asks me: [G] ‘Do I [D]look all [Em]right?’
And I say []C ‘yes, you look [D]wonderful to-[G]night’. [D] [C] [D]

VERS 2
[G]We go to a [D]party, [C]and ev’ryone [D]turns to see.
[G]This beautiful [D]lady [C]is walking a-[D]round with me.
[C]And then she [D]asks me, [G] ‘Do you [D]feel all [Em]right?’
And I say []C ‘Yes, I feel [D]wonderful to-[G]night.’

[G]I feel [C]wonderful be-[D]cause I see the [G]lovelight [D]in your [Em]eyes.
Then the [C]wonder of it [D]all is that you [C]just don’t rea-[D]lize
how much I [G INTRO]love you

VERS 3
[G]It’s time to go [D]home now, [C]and I’ve got an [D]aching head.
[G]So I give her the [D]car-keys, [C]and she helps [D]me tot bed.
[C]And then I [D]tell her [G]as I [D]turn out the [Em]light,
I say, ‘My [C]darling, you are [D]wonderful
to-[G]night. [Em]Oh, my [C]darling, you are [D]wonderful to-[G INTRO]night.

INTRO + G (ring)

STILLE NACHT, HEILIGE NACHT (blz. 4)

• Stille Nacht ! Heilige Nacht ! A A A A
  Alles schlaft, einsam wacht, E E7 A A(7)
  nur das traute hochheilige Paar; D D A A
  holder Knabe im lokkigen Haar, D D A A
  Schlaf in himmlischer Ruh, E E A A
  Schlaf in himmlischer Ruh A E A A

• Stille Nacht, heilige Nacht, A A A A
  die aan ons redding bracht. E E7 A A(7)
  Hoort de herders van Bethlehem D D A A
  Loven God met jubelstem D D A A
  Hem zij dank en eer, E E A A
  Hem zij dank en eer, A E A A

• Stille Nacht, heilige Nacht, A A A A
  Eeuwen lang reeds verwacht. E E7 A A(7)
  Hoort hoe d’engelen zingen verblijd : D D A A
  “Vrede op aard” klinkt het wijd en zijd, D D A A
  Christus de Redder is daar, E E A A
  Christus de Redder is daar, A E A D

• Silent night, holy night, A A A A
  All is calm, all is bright; E E7 A A(7)
  Round yon Virgin and her Child, D D A A
  Holy Infant so tender and mild; D D A A
  sleep in heavenly peace, E E A A
  sleep in heavenly peace. A E A D

• Douce nuit, Sainte nuit A A A A
  Tout s’endort, plus de bruit, E E7 A A(7)
  Veille seul le couple sacré D D A A
  Doux enfant aux fins cheveux, D D A A
  Clos tes yeux et repose, E E A A
  Sous ces yeux vigilants, A E A D
  Sous ces yeux vigilants.

THE FIRST NOWELL (blz. 4)

The first Nowell the angel did say, C Em F C

Was to certain poor shepherds in fields as they lay. F C Am (G7) C

In fields where they lay keeping their sheep, C Em F C

On a cold winter’s night that was so deep. F C Am (G7) C

Nowell, Nowell, Nowell, Nowell, C C F C

Born is the King of Israel. F C Am (G7) C

And by the light of that same star, C Em F C

Three wise men came from country far; F C Am (G7) C

To seek for a king was their intent, C Em F C

And to follow the star wherever it went. F C Am (G7) C

This star drew nigh to the north-west, C Em F C

O’er Bethlehem it took it’s rest, F C Am (G7) C

And there it did both stop and stay, C Em F C

Right over the place where Jesus lay. F C Am (G7) C

Then let us all with one accord, C Em F C

Sing praise to our heavenly Lord, F C Am (G7) C

That hath made heaven and earth of nought, C Em F C

And with his blood mankind hath bought . F C Am (G7) C

LEISE RIESELT DER SCHNEE (blz. 5)

Leise rieselt der Schnee G D7 G G(7)

Still und starr ruht der See C C G G

Weihnachtlich glänzet der Wald. D7 B7 Em Em

Freue dich. Christkind kommt bald ! Am D7 G G

In den Herzen ist’s warm, G D7 G G7

Still schweigt Kummer und Harm C C G G

Sorge des Lebens verhallt, D7 B7 Em Em

Freue dich, Christkind kommt bald! Am D7 G G

Bald ist Heilige Nacht, G D7 G G7

Chor der Engel erwacht, C C G G

Hört nur, wie lieblich es schallt : D7 B7 Em Em

Freue dich, Christkind kommt bald! Am D7 G G

TE BETHLEHEM IS GEBOREN (blz. 6)

Te Bethl’hem is geboren. G G G D7

Een Godd’lijk Kin-de-kijn. Am D7 G G

Dat heb ik uitverkoren, G G C E Am

zijn dienaar wil ik zijn. G G A7 D7

Eja, eja! D7 D7 G D7

Zijn dienaar wil ik zijn. G D7 G G

Mijn hart, mijn ziel en zinnen G G G D7

Wijd ik U, Kindje teer Am D7 G G

En bovenal beminnen, G G C E Am

Wil ik U immer meer. G G A7 D7

Eia, eia,D7 D7 G D7

wil ik U immer meer. G D7 G G

Laat niets ter aard mij scheiden, G G G D7

Leg zelf de hechte band. Am D7 G G

En moog’ Uw hand mij leiden G G C E Am

Naar’t eeuwig vaderland. G G A7 D7

Eia, eia, D7 D7 G D7

naar’t eeuwig vaderland. G D7 G G

OH HOLY NIGHT (blz. 6)

Oh Holy night! The stars are brightly shining, C

It is the night of my dear Saviour’s birth.

Long lay the world in sin and error pining

Till He appeared and the soul felt its worth.

A trill of hope, the weary soul rejoices,

For yonder breaks a new and glorious morn!

Fall on your knees ! Oh hear the angel voices !

Oh night, divine, oh night when Christ was born,

Oh night, of holy night, oh night divine !

Minuit, Chrétiens, c’est l’heure solennelle

Où l’homme Dieu descendit jusqu’à nous.

Pour effacer la tache originelle,

Et de son père arrêter le couroux.

Le monde entier tressaille d’espérance,

A cette nuit qui lui donne un sauveur.

Peuple à genoux, attend ta délivrance,

Noël, Noël ! Voici le Rédempteur.

Noël, Noël ! Voici le Rédempteur.

De notre foi que la lumière ardente

Nous guide tous au berceau de l’enfant.

Comme autrefois une étoile brillante

Y conduisit les chefs de l’Orient.

Le Roi de Rois nait dan une humble crêche,

Puissants du jour fiers de votre grandeur,

A votre orgueil c’est de là qu’un Dieu prêche,

Courbez vos fronts devant le Rédempteur,

Courbez vos fronts devant le Rédempteur.

Le Rédempteur a brisé toute entrave,

La terre est libre et le ciel est ouvert.

Il voit un frère où n’était qu’un esclave,

L’amour unit ceux qu’enchaînait le fer.

Qui lui dira notre reconnaissance

C’est pour nous tous qu’il nait.

Qu’il souffre et meurt.

Peuple, debout ! Chante ta délivrance !

Noël, Noël ! Chantons le Rédempteur,

Noël, Noël ! Chantons le Rédempteur.

CHRISTMAS IS COMING (blz. 8)

Klem III (A wordt C)

Christmas is coming, the goose is getting fat. A A A A

Please put a penny in the old man’s hat. (2x) D A E A

If you haven’t got a penny, then a half penny will do A A A A

If you haven’t half a penny, then may God bless you. A A D E A

HAPPY XMAS (War is over) (blz. 8)

1. So this is Xmas and what have you done ? G Am

Another year over, a new one just begun. D G

And so this is Xmas, I hope you have fun. C Dm

The near and the dear ones, the old and the young. G C

A merry, merry Xmas, and a Happy New Year, F G

Let’s hope it’s a good one without any fear. Dm C D

• And so this is Xmas, for weak and for strong.

The rich and the poor ones, the road is so long.

And so, happy Xmas, for black and for white.

For the yellow and red ones, let’s stop all the fights.

A merry, merry Xmas, and a Happy New Year,

Let’s hope it’s a good one, without any fear.

• And so this is ……….

War is over, if you want it, war is over now. G Am D G

ONCE IN ROYAL DAVID’S CITY (blz. 9)

• Once in royal David’s city

stood a lowly cattle shed,

Where a mother laid her baby

in a manger for his bed.

Mary was that mother mild,

Jesus Christ her little child.

2. And through all His wondrous childhood,

He would honour and obey,

Love and watch the lowly Maiden

In whose gentle arms He lay;

Christian children all must be

Mild, obedient, good as He.

3. For He is in our childhood’s pattern

Day by day like us He grew;

He was little weak and helpless

Tears and smiles like us He knew;

And He feeled for our sadness,

And He shared in our gladness.

ALLE JAHRE WIEDER (blz. 10)

Klem III (A wordt C)

Alle Jahre wieder A A A E(7)

kommt das Christus-kind . A D E E(7)

Auf die Erde nieder A A D D

wo wir Menschen sind. A E A …

SLEIGH RIDE (blz. 10)

Just hear those sleigh bells jingeling, ringting tingeling too!

Come on it’s lovely weather for a sleigh ride together with you.

Outside the snow is falling and friends are calling “Yoo hoo!”

Come on it’s lovely weather for a sleigh ride together with you!

Giddy yap, giddy yap, giddy yap, let’s go

Let’s look at the show. We’re riding in a wonderland of snow.

Giddy yap, giddy yap, giddy yap, it’s grand. Just holding your hand.

We’re gliding along with a song of a wintery fairy land.

Our cheeks are nice and rosy and comfy cozy are we;

We’re snuggled up together like two birds of a feather should be.

Let’s take that road before us and sing a chorus or two,

come on, it’s lovely weather for a sleigh ride together with you.

There’s a happy feeling nothing in this world can buy

When we pass around the coffee and the pumpkin pie,

It’ll nearly be like a picture print of Currier and Ives;

The wonderful things are the things we remember all thru our lives!

These wonderful things are the things we remember all thru our lives!

Just hear those sleigh bells jingeling ringting tingeling too!

Come on it’s lovely weather for a sleigh ride together with you!

Outside the snow is falling and friends are calling “Yoo hoo!”

Come on, it’s lovely weather for a sleigh ride together with you! (2x)

MARIA DIE ZOUDE NAAR BETHLEHEM GAAN (blz. 12)

• Maria die zoude naar Bethlehem gaan,

Kerstavond voor de noene.

Sint Jozef zou al met haar gaan,

Om haar gezelschap te hoeden.

• Het hagelde en ’t sneeuwde en ’t was er zo koud,

De rijp lag op de daken;

Sint Jozef tot Maria sprak :

“Maria wat zullen wij maken ?”

• Maria die zeide : “Ik ben er zo moe,

Laat ons een weinig rusten.

Laat ons nog een weinig verder gaan,

Aan een huizeke zullen wij rusten.”

• Zij kwamen een weinig verder gegaan

Tot aan een boerenschure.

’t Is daar waar Heer Jezus geboren werd,

en daar sloten noch vensters noch deuren.

’T IS GEBOREN, HET GODDELIJK KIND (blz. 12)

’t Is geboren, het godd’lijk Kind!

Komt herders speelt op uw feestschalmeien.

’t Is geboren, het godd’lijk Kind,

dat ons allen zo zeer bemint.

• ‘k Zie een engel die daar gezwind,

dalend over de groene weiden,

‘k Zie een engel die daar gezwind,

bij hun schaapjes de herders vindt.

• Schrik niet herders, wees blijgezind,

Laat uw schaapjes in de valleien,

Schrik niet herders, wees blijgezind,

Nu u daar de Verlosser vindt.

• In een stal ligt dat Goddelijk Kind, Op wat stro moet zijn leden spreien.

In een stal ligt dat Goddelijk Kind, Waar zijn Moeder ’t in doekjes windt.

THE LITTLE DRUMMER BOY (blz. 14)

Klem I (E wordt F)

INTRO E E

• “Come” they told me, Parum pa pum pum E E E E
  “Our new born King to see” ! Parum pa pum pum E E E E
  Our finest gifts we bring , Parum pa pum pum B7 B7 B7 B7
  To lay before the King Parum pa rum pum, B7 E E A
  rumpa-pum-pum, rumpa pum pum A E E B7 B7
  So to honor Him, Parum pa pum pum. E E E E
  When we come. B7 E E (E E)

• Little Baby, PP E E E E
  I am a poor boy too, PP E E E E
  I have no gift to bring, PP B7 B7 B7 B7
  That’s fit to give our King, PP B7 E E A
  RP, RP A E E B7 B7
  Shall I play for You, PP. E E E E
  On my drum ? B7 E E (E E)

• Mary nodded, PP E E E E
  The ox and lamb kept time, PP E E E E
  I played my drum for Him, PP B7 B7 B7 B7
  I played my best for Him, PP B7 E E A
  RP, RP A E E B7 B7
  
  XXX XXX XXX
  
  Then He smiled at me, PP. E E E E
  Me and my drum. B7 E E

OH DENNEBOOM (blz.16)

• O denneboom, O denneboom, hoe glanzend zijn uw naalden.

Hij groent in barre wintertijd, wanneer zijn glans ons hart verblijdt.

• O Tannenbaum, O Tannenbaum, wie grün zind deine Blätter,

Du grünst nicht nur zur Sommerzeit, nein, auch im Winter, wenn es schneit.

• O Christmas tree, O Christmas tree, how true you stand unchanging.

Your boughs so green in summertime, remain so green in wintertime.

• Mon beau sapin, roi des forêts, que j’aime ta verdure !

Quand par l’hiver, bois et guérets, sont dépouillés de leurs attraits.

GLORIA IN EXCELSIS DEO ( blz. 16)

• Hoort gij gindse englen-koren, zingen, juichen blij en klaar;

Heden is Gods Zoon geboren, herders hoort de blijde maar !

Gloria in excelsis Deo. (2x)

• Haast u nu toch van de velden, Heel de wereld juicht vannacht.

Zie je daar die kleine stal wel, En het Kind, zo lang verwacht. Gloria ……………..

3. Mensen, juich Hem nu ter ere, In de nacht vol majesteit;

Laten wij de Koning eren, Hij, de God van eeuwigheid. Gloria ……………

NU ZIJT WELLEKOME (blz.17)

• Nu zijt wellekome, Jesu Lieve Heer,

Gij komt van al zo hoge van alzo veer.

Nu zijt wellekome van de hoge hemel neer.

Hier al in dit aardrijk zijt Gij gezien nooit meer. Kyrie eleis.

• De herders op de velden hoorden een nieuw lied,

Dat Jezus was geboren, zij wisten het niet.

Gaat aan gindse straten en gij zult Hem vinden klaar.

Bethlehem is de stede, daar is ’t geschied, voorwaar. Kyrie eleis.

• De heilige drie koningen uit zo verre land,

Zij zochten onze Here met offerand.

Ze offerden ootmoediglijk mirr’, wierook ende goud,

Ter ere van het Kindje dat allerding behoudt. Kyrie eleis.

O DU FRÖHLICHE (blz. 18)

Klem III (A wordt C)

O du fröhliche, o du selige A D A A D A
gnaden bringende Weihnachtszeit. A D E B7 E

Welt ging verloren. Christ is geboren : E E A A

Freue freue dich, O Christenheit. D A D A E A

ER IS EEN KINDEKE GEBOREN OP AARD (blz. 19)

• Er is een Kindeke geboren op aard. (2x)

’t Kwam op de aarde voor ons allemaal. (2x)

• Er is een Kindeke geboren in ’t strooi (2x)

Lag in een kribbe, gedekt met wat hooi (2x)

• ’t Kwam op de aarde en had er geen huis (2x)

’t Kwam op de aarde en droeg al Zijn kruis (2x)

• ’t Kwam op de aarde voor ons allegaar (2x)

en ’t wenst ons allen een zalig Nieuwjaar (2x)

MARY HAD A BABY (blz. 20)

• Mary had a baby, Yes Lord

Mary had a baby, Yes my Lord !

Mary had a baby, Yes Lord !

The people keep acoming and the train done gone.

• What did she name him, Oh, Lord ?
• She called him Jesus 8. Who came to see him ?
• Where was he born ? 9. Shepherds came to see him.
• Born in a stable. 10. Wise men kneeled before him.
• Where did they lay him ? 11. Herod tried to find him.
• Laid him in a manger. 12. Angels watching over him.

I’LL BE HOME FOR CHRISTMAS (blz. 20)

I’ll be home for Christmas, you can plan on me

Please have snow and mistletoe and presents on the tree.

Christmas Eve will find me where the lovelight gleams.

I’ll be home for Christmas, if only in my dreams.

I’m dreaming tonight of a place I love, even more than I usually do.

And al though I know it’s a long road back. I promise you :

I’ll be home for Christmas, you can …………….

GO, TELL IT ON THE MOUNTAIN (blz. 21)

• When I was a learner, I sought both night and day.

I asked the Lord to help me, and He showed me the way,

Go, tell it on the mountain, over the hills and everywhere.

Go, tell it on the mountain, that Jesus Christ is born.

• Down in a lowly manger, the humble Christ was born

And God sent out salvation, that blessed Christmas morn.

• While shepherds were a watching, over silent flocks by night.

Behold ! Throughout the heavens, there shone a holy light.

• And lo, when they had seen it, they all bowed down and prayed;

They travelled on together to where the babe was laid.

• He made me be a watchman, upon a city wall.

And if I am a Christian, I am the least of all.

JOY TO THE WORLD (blz. 22)

Klem III (A wordt C)

Joy to the world ! The Lord is come. A A A E A
Let earth receive her King. D E A …..
Let every heart prepare Him room A A A A
and heaven and nature sing; (2x) A A E E
and heaven an heaven and nature sing ! A A E A

Joy to the world ! The Saviour reigns; A A A E A
Let men their songs employ; D E A …..
While field and floods, rocks, hills and plains, A A A A
Repeat the sounding joy, (2x) A A E E
Repeat, repeat the sounding joy. A A E A

He rules the world ! With Thruth and grace A A A E A
And makes the nations prove D E A …..
The glories of His righteousness, A A A A
And wonders of His love, (2x) A A E E
And wonders, wonders of His love. A A E A

WIJ KOMEN VAN ‘T OOSTEN (blz.22)

Wij komen van ’t Oosten, wij komen van ver. A la berline postiljon.

Wij zijn de drie koningen met een ster. A la berline postiljon.

Van cher ami tot in de knie. Wij zijn drie koningskinderen,

Sa pater trok naar Vendelo, van cher ami !

THE CHRISTMAS SONG (blz. 24)

Chestnuts roasting on an open fire. Jack Frost nipping at your nose.

Yule tide carols being sun by a choir, and folks dressed up like Eskimos.

Everybody knows a turkey and some mistletoe

help to make the season bright.

Tiny tots with their eyes all aglow will find it hard to sleep tonight.

They know that Santa’s on his way. He loaded lots of toys and goodies on his sleigh.

And every mothers child is gonna spy, to see if reindeer really know how to fly.

And so, I’m offering this simple phrase to kids from one to ninety-two

Al tho it’s been said many times, many ways, “merry Christmas to you”.

DE HERDERTJES LAGEN BIJ NACHTE (blz. 25)

• De herdertjes lagen bij nachte, zij lagen bij nacht in het veld.

Zij hielden vol trouwe de wachte, zij hadden hun schaapjes geteld.

Daar hoorden zij engelen zingen, hun liederen vloeiend en klaar.

De herders naar Bethlehem gingen, ’t liep tegen het nieuwe jaar.

• Toen zij er te Bethlehem kwamen, daar schoten drie stralen dooreen.

Een straal van omhoog, zij vernamen, een straal uit het kribje beneën.

Toen vlamde er een straal uit hun ogen, en viel op het Kindeke teer.

Zij stonden tot schreiens bewogen, en knielden bij ’t Kindeke neer.

• Och Kindje, och Kindje dat heden in ‘t nedrig stalletje kwaamt.

Ach, laat ons Uw paden betreden, want Gij hebt de wereld beschaamd.

Gij komt om de wereld te winnen, de machtigste vijand te slaan

De kracht Uwer liefde van binnen, kan wereld noch helle weerstaan.

HARK ! THE HERALD ANGELS SING (blz. 26)

• Hark ! the herald angels sing, glory to the new-born King

Peace on earth and mercy mild, God and sinner reconciled

Joyful, all ye nations, rise, join the triumph of the skies;

With the Angelic host proclaim, “Chirst is born in Bethlehem”.

Hark! The herald angels sing: “Glory to the new-born King”.

• Hail, the heavenborn Pince of Peace! Hail, the Sun of Righteousness

Light and life to all He brings, risen with healing in His wings.

Mild He lays His glory by, born that man no more may die,

Born to raise the sons of earth, born to give them second birth.

Hark! The herald angels sing : “Glory to the new-born King”.

SÜSSER DIE GLOCKEN NIE KLINGEN (blz.26)

• Süsser die Glocken nie klingen als zu der Weihnachtszeit,

S’ist als ob Engelein singen wieder von Frieden und Freud.

Wie sie gesungen in seliger Nacht, (2x)

Glocken mit heiligem Klang klingt doch die Erde entlang.

• O, wenn die Glocken erklingen, schnell sie das Christkindlein hört,

Tut sich vom Himmel dann schwingen, eilet hernieder, zur Erd.

Segnet den Vater, die Mutter, das Kind, (2x)

Glocken mit heiligem Klang, klinget die Erde entlang.

ER IS EEN ROOS ONTSPRONGEN (blz. 27)

• Er is een Roos ontsprongen aan Davids koningsstam.

Een Zoon is ons gegeven met Licht dat tot ons kwam.

Wie in het duister lag,

hij heeft het Licht zien rijzen,

Hij ziet de nieuwe dag.

• Es ist ein Ros’ entsprungen aus einer Wurzel zart,

Wie uns die Alten sungen : von Jesse kam die Art

Und hat ein Blümlein bracht,

mitten im kalten Winter,

Wohl zu der halben Nacht.

• Das Röslein, das ich meine davon Jesaja sagt,

Hat uns gebracht alleine Marie, die reine Magd,

Aus Gottes ew’gem Rat

hat sie ein Kind geboren

Wohl zu der halben Nacht.

• Das Röslein so kleine, das duftet uns so sü b

Mit seinem hellen Scheine vertreibt’s die Finsternis,

Wah’r Mensch und wahrer Gott,

hilft uns aus allen Leiden,

Rettet von Sünd’ und Tod.

LET IT SNOW ! LET IT SNOW ! LET IT SNOW ! (blz. 28)

Oh the weather outside is frightful, but the fire is so delightful.

And since we’ve no place to go, let it snow ! Let it snow ! Let it snow !

It doesn’t show signs of stopping and I brought some corns for popping.

The lights are turned way down low. Let it snow ! Let it snow ! Let it snow !

When we finaly kiss goodnight, how I’ll hate going out in the storm !

But if you’ll really hold me tight all the way home I’ll be warm,

The fire is slowly dying and my dear, we’re still goodbye-ing.

But as long as you love me so, let it snow ! Let it snow ! Let it snow !

IN EEN KOUDE WINTERNACHT (blz. 29)

• In een koude winternacht

werd een Kind geboren.

Dat voor ieder redding bracht,

die het maar wil horen.

Laat toch zien hoe blij je bent,

kom, speel op je instrument.

Pak de blokfluit maar,

klarinet, gitaar,

Maak muziek, maak plezier, laat het ieder horen

Dat Hij is geboren.

• Dans une nuit d’hiver toute grise

Sonnaient chants des anges.

Car le Rédempteur promis

Fut né dans une grange

Entendez, pasteurs, ces chants

Et jouez vos instruments

Haut les tambourins

Chantez gais refrains

Les tambours et les flûtes, faites vos musique

Dans cette nuit unique.

OH LITTLE TOWN OF BETHLEHEM (blz. 30)

• Oh little town of Bethlehem, how still we see thee lie !

Above thy deep and dreamless sleep the silent stars go by.

Yet in thy dark streets shineth the everlasting light.

The hopes and fears of all the years are met in thee tonight.

• O morning stars, together, proclaim the holy birth,

And praises sing to God the King, and peace to men on earth

For Christ is born of Mary, and gathered all above.

While mortals sleep the angels keep their watch of wond’ring love.

HAVE YOURSELF A MERRY LITTLE CHRISTMAS (blz. 30)

Have yourself a merry little Christmas let your heart be light,

From now on, our troubles will be out of sight.

Have yourself a merry little Christmas, make the Yule-tide gay.

From now on our troubles will be miles away.

Here we are as in olden days, happy gold en days of yore.

Faithful friends who are dear to us gather near to us once more

Through the years we all will be together, if the Fates allow

Hang a shining star up on the highest bough,

And have yourself a Merry little Christmas now.

AWAY IN A MANGER (blz. 31)

Away in a manger, no crib for a bed,

the little Lord Jesus laid down His sweet head.

The stars in the bright sky looked down where He lay,

The little Lord Jesus asleep on His hay.

WHAT CHILD IS THIS (blz. 33)

• What Child is this who laid

to rest on Mary’s lap is sleeping ?

Whom angels greet with anthems sweet

while shepherds watch are keeping ?

Ref. : This, this is Christ the King Whom shepherds guard and angels sing.

Haste, haste to bring him laud, the Babe the son of Mary.

• Why lies he in such mean estate

Where ox and ass are feeding ?

Good Christian, fear : for sinner here

The silent Word is pleading.

• So bring him incense, gold and myrrh

Come peasant, king, to own Him

The King of kings salvation brings

Let loving hearts enthrone him.

IT’S GONNA BE A COLD, COLD CHRISTMAS

WITHOUT YOU (blz. 34)

According to the radio warmer weather’s on the way,

and chances we won’t be getting snow.

But even if the sun shines from now till Christmas day,

Far as I’m concerned I know.

It’s gonna be a cold, cold Christmas without you.

Dreaming of those warm, warm lazy summer days

It’s gonna be a long and lonely Christmas without you

Missing you, my darling in oh so many ways.

Yesterday I saw your Mom and Dad,

We bought our cards together

I’ve put the presents on the Christmas tree

And I write this letter it’s warm inside

The log fire’s burning bright, oh darling,

if only you were here to make it right.

I didn’t bother with the mistletoe,

You won’t be here to kiss me

The only consolation that I’ve got

I know for sure you’ll miss me

It won’t be long until you’re home again,

And we can share these magic moments, but till then :

DECK THE HALL (blz. 35)

Deck the hall with boughs of holly, Fa la la la la la la la la

‘Tis the season to be jolly. Fa la la la la la la la la

Don we now our gay apparel , Fa la la la la la la

Troll the ancient Yule-tide Carol, Fa la la la la la la la la

ABER HEIDSCHI BUMBEIDSCHI (blz. 36)

Aber heidschi bumbeidschi, schlaf lange.

Es ist ja dei Muatta ausgange .

Sie ist ja ausganga un kimmt mimma hoam

und lasst des kloa Buabale ganz alloan.

Aber heidschi bumbeidschi bum bum. (2x)

MARY’S BOY CHILD (blz. 36)

Long time ago in Bethlehem, A A D D

so the Holy Bible say. E E A A

Mary’s boy child, Jesus Christ, A A D D

was born on Christmas day. A E A A

Hark now, hear the angels sing, A D E A

a new King born today. A B7 E E7

And man will live for evermore, A A D D

because of Christmas day. A E A A

Trumpets sound and angels sing, A D E A

listen to what they say: A B7 E E7

That man will live for evermore, A A D D

because of Christmas day. A E A …..

DAAR RUIST LANGS DE WOLKEN ( p. 37)

Klem III (A wordt C)

Daar ruist langs de wolken een lieflijke naam A A E A

Die hemel en aarde verenigt tesaam A D A E A

Geen naam is er zoeter en beter voor ’t hart. D A E A

Hij heelt alle wonden en stilt alle smart. D A E A

Kent gij die naam die naam nog niet ? A D E A E A

Die naam draagt mij Heiland, D A

mijn lust en mijn lied. E A

HERDERS, HIJ IS GEBOREN (blz. 38)

Herders, Hij is geboren in ’t midden van de nacht.

Die zo lang van tevoren de wereld heeft verwacht.

Vrolijk O herdertjes, zongen ons engeltjes

Zongen met blijde stem : “Haast u naar Bethlehem”!

KOMT ALLEN TEZAMEN (blz. 38)

• Komt allen tezamen, onder ’t sterrenblinken,

Een lied moet weerklinken voor Bethlehem.

Christus geboren, zingen engelenkoren.

Komt laten wij aanbidden, komt laten wij aanbidden,

Komt,laten wij aanbidden onze Heer.

• O come all ye faithful Joyful and triumphant,

O come ye, o come ye to Bethlehem

Come and behold Him Born the King of angels

O come, let us adore Him, o come let us adore Him,

O come, let us adore Him, Christ the Lord.

• Sing, choirs of Angels, Sing in exultation,

Sing, all ye citizens of heaven above

Sing ye “All glory to God in the Highest”. O come ………

• Yea, Lord, we greet Thee

Born this happy morning

Jesu, to Thee be all glory given

Word of the Father,

Now is flesh appearing

O come ………..

HOE LEIT DIT KINDEKE (blz. 39)

• Hoe leit dit Kindeke hier in de kou

Ziet eens hoe alle Zijn ledekens beven.

Ziet eens hoe dat ’t weent en krijt van kou.

Na na na na na na, Kindeke teer

Ei, zwijg toch stil, sus sus, en krijt niet meer.

• So ras dan, herderkens, komt naar de stal,

Speelt op uw vedelkens voor dit zoet lammeken

Speelt er dan zachtjes tot Het slapen zal

Na na na na na

• En gij, o engeltjes, komt naderbij

Zingt dan uw liedekens voor dit lief Kindeke

Wilt Het vermaken met uw melodij

Na na na na na na

GOD REST YOU, MERRY GENTLEMEN (blz. 40)

• God rest you merry gentlemen, let nothing you dismay,

Remember Christ our Saviour was born on Christmas Day.

To save us all from Satan’s power when we were gone astray,

O tidings of comfort and joy, comfort and joy,

O tidings of comfort and joy.

• Go, fear not, said God’s Angels

Let nothing you affright

For there is born in Bethlehem

Of a pure Virgin bright

One able to advance you

And throw down Satan quite

And it’s tidings …..

• The shepherds at those tidings, Rejoiced much in mind

And left their flocks a feeding In tempest storms of wind

And straight they came to Bethlehem This blessed Babe to find

And it’s tidings …..

SANTA CLAUS IS COMING TO TOWN (blz. 40)

You better watch out, you better not cry

Better not pout, I’m telling you why

Santa Claus is coming to town !

He’s making a list and checking it twice

Gonna find out who’s naughty and nice,

Santa Claus is coming to town

He sees you when you’re sleeping

He knows when you’re awake

He knows if you’ve been bad or good,

So be good for goodness sake

Oh ! you better watch out, you better not cry

Better not pout, I’m telling you why

Santa Claus is coming to town.

HE’S GOT THE WHOLE WORLD IN HIS HANDS (blz. 41)

Klem III (D wordt F)

He’s got the whole world in His hands D D

He’s got the whole wide world in His hands, A7 A7

He’s got the whole world in His hands, D D

He’s got the whole world in His hands. A7 D

LUID KLOKJES, KLINGELINGELING (blz. 42)

Luid klokjes, klingelingeling Kling, Glöckchen, klingelingeling

Luid klokjes, kling Kling, Glöckchen, kling

Laat de boodschap horen La b t mich ein, ihr Kinder

Christus is geboren ist so kalt, der Winter

Voor die blijde klanken öffnet mir die Türen

Willen wij God danken La b t mich nicht erfrieren

Luid klokjes klingelingeling Kling, Glöckchen, klingelingeling

Luid klokjes kling. Kling, Glöckchen, kling

BLUE CHRISTMAS (blz. 42)

I’ll have a blue Christmas without you.

I’ll be so blue thinking about you

Decorations of red on a green Christmas tree

Won’t mean a thing if you’re not her with me.

I’ll have a blue Christmas that’s certain

And when that blue heartache start hurting

You’ll be doing all right,

With your Christmas of white.

But I’ll have a blue, blue Christmas (2x)

JINGLE BELLS (blz. 44)

Dashing through the snow in a one horse open sleigh

Over the fields we go, laughing all the way

Bells on bobtail ring making spirits bright

What fun it is to ride and sing a sleighing song tonight.

Jingle bells, jingle bells, jingle all the way !

Oh what fun it is to ride in a one horse open sleigh! (2x)

AMAZING GRACE (blz. 47)

• Amazing grace, how sweet the sound

that saved a wretch like me

I once was lost, but now I’m found,

was blind, but now I see

• ‘t Was Grace that taught my heart to fear

and Grace my fear relieved

how precious did that grace appear

the hour I first believed.

• Through many dangers, toils and snare

We have already come

‘t Was Grace that brought us safe thus far

Grace will lead us home

• When we’ve been there ten thousand years

Bright shining as the sun

We’ve no less days to sing God’s praise

Than when we first begun.

KUMBAYA (blz. 48)

Klem III (A wordt C)

Kumbaya my Lord, Kumbaya A A D A A

Kumbaya my Lord, Kumbaya A A E 7

Kumbaya my Lord, Kumbaya A A D A A

Oh Lord, Kumbaya. D A A E A A

SILVER BELLS ( blz. 49)

GEEN klem

City sidewalks, busy sidewalks dressed in holiday style A D

In the air there’s a feeling of Christmas E A

Children laughing, people passing, meeting smile after smile A D

After every street corner you hear E A

Silver Bells, silver bells, A D

it’s Christmas time in the city. E A

Ringaling, hear them ring, A D

soon it will be Christmas day. E A

String of streetlights, even stoplights, blink a bright red and green, A D

As the shopper’s rush home with their treasures E A

Hear the snow crunch, see the kids bunch, this is Santa’s big scene A D

And above all this bustle you hear E A

ERE ZIJ GOD (blz. 52)

Ere zij God ! Ere zij God !

In den hoge, in den hoge, in den hoge

Vrede op aarde, vrede op aarde

In de mensen een welbehagen.

Ere zij God in den hoge ! Ere zij God in den hoge

Vrede op aarde, vrede op aarde,

Vrede op aarde, vrede op aarde,

In de mensen, in de mensen een welbehagen,

In de mensen een welbehagen, een welbehagen

Ere zij God, Ere zij God !

In den hoge, in den hoge, in den hoge !

Vrede op aarde, vrede op aarde,

In de mensen een welbehagen. Amen. Amen

RUDOLPH THE RED-NOSED REINDEER (blz. 54)

Klem III (A wordt C)

Rudolf, het kleine rendier had een neus, die was zo rood. A A A E

En als je oog d’r op viel, nou, dan ging-ie bijna dood. E E E A

En alle andere dieren lachten hem gewoonlijk uit. A A A E

En als ze samen speelden, sloten zij hem altijd uit. E E E A

Maar op zekere dag toen kwam de Kerstman daar voorbij. D A E A

En hij sprak tot Rudolf klein : “Wil je mee op toer met mij ?” B7 E B7 E

Snap je hoe hij zich voelde ? En de anderen voelden mee ! A A A E

Rudolf, het kleine rendier trok de Kerstman op zijn slee ! E E E A

Rudolph the Rednosed reindeer, had a very shiny nose A A A E

And if you ever saw it , you would even say it glows E E E A

All of the other reindeer used to laugh and call him names A A A E

They never let poor Rudolph join in any reindeer games E E E A

Then one foggy Christmas Eve Santa came to say D A E A

Rudolph with your nose so bright, B7 E

won’t you guide my sleigh tonight ? B7 E

Then how the reindeer loved him, as they shouted out with glee,A A A E

Rudolph the Rednosed reindeer, you’ll go down in history. E E E A

DOCHTER SIONS WEEST VERHEUGD (blz. 55)

Dochter Sions, wees verheugd ! Juich van vreugd, Jerusalem ,

Zie uw Koning komt tot U Ja, Hij komt de Vredesvorst ,

Dochter Sions, wees verheugd ! Juich van vreugd, Jerusalem!

WE WISH YOU A MERRY CHRISTMAS (blz. 56)

We wish you a merry Christmas, We wish you a merry Christmas,

We wish you a merry Christmas and a happy New Year !

Good tidings we bring to you and your kin

We wish you a merry Christmas and a happy New Year.